The Project Gutenberg EBook of Ballads and Lyrics of Old France by Andrew Lang (#6 in our series by Andrew Lang) Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Ballads and Lyrics of Old France: with other Poems Author: Andrew Lang Release Date: January, 1997 [EBook #795] [This file was first posted on January 31, 1997] [Most recently updated: September 25, 2002] Edition: 10 Language: English Character set encoding: ASCII
Transcribed from the 1872 Longmans, Green, and Co. edition by David Price, email ccx074@coventry.ac.uk
I. CHARLES D’ORLEANS, who has sometimes, for no very obvious reason, been styled the father of French lyric poetry, was born in May, 1391. He was the son of Louis D’Orleans, the grandson of Charles V., and the father of Louis XII. Captured at Agincourt, he was kept in England as a prisoner from 1415 to 1440, when he returned to France, where he died in 1465. His verses, for the most part roundels on two rhymes, are songs of love and spring, and retain the allegorical forms of the Roman de la Rose.
II. FRANÇOIS VILLON, 1431-14-? Nothing is known of Villon’s birth or death, and only too much of his life. In his poems the ancient forms of French verse are animated with the keenest sense of personal emotion, of love, of melancholy, of mocking despair, and of repentance for a life passed in taverns and prisons.
III. JOACHIM DU BELLAY, 1525-1560. The exact date of Du Bellay’s birth is unknown. He was certainly a little younger than Ronsard, who was born in September, 1524, although an attempt has been made to prove that his birth took place in 1525, as a compensation from Nature to France for the battle of Pavia. As a poet Du Bellay had the start, by a few mouths, of Ronsard; his Recueil was published in 1549. The question of priority in the new style of poetry caused a quarrel, which did not long separate the two singers. Du Bellay is perhaps the most interesting of the Pleiad, that company of Seven, who attempted to reform French verse, by inspiring it with the enthusiasm of the Renaissance. His book L’Illustration de la langue Française is a plea for the study of ancient models and for the improvement of the vernacular. In this effort Du Bellay and Ronsard are the predecessors of Malherbe, and of André Chénier, more successful through their frank eagerness than the former, less fortunate in the possession of critical learning and appreciative taste than the latter. There is something in Du Bellay’s life, in the artistic nature checked by occupation in affairs - he was the secretary of Cardinal Du Bellay - in the regret and affection with which Rome depressed and allured him, which reminds the English reader of the thwarted career of Clough.
IV. REMY BELLEAU, 1528-1577. Du Belleau’s life was spent in the household of Charles de Lorraine, Marquis d’Elboeuf, and was marked by nothing more eventful than the usual pilgrimage to Italy, the sacred land and sepulchre of art.
V. PIERRE RONSARD, 1524-1585. Ronsard’s early years gave little sign of his vocation. He was for some time a page of the court, was in the service of James V. of Scotland, and had his share of shipwrecks, battles, and amorous adventures. An illness which produced total deafness made him a scholar and poet, as in another age and country it might have made him a saint and an ascetic. With all his industry, and almost religious zeal for art, he is one of the poets who make themselves, rather than are born singers. His epic, the Franciade, is as tedious as other artificial epics, and his odes are almost unreadable. We are never allowed to forget that he is the poet who read the Iliad through in three days. He is, as has been said of Le Brun, more mythological than Pindar. His constant allusion to his grey hair, an affectation which may be noticed in Shelley, is borrowed from Anacreon. Many of the sonnets in which he ‘petrarquizes,’ retain the faded odour of the roses he loved; and his songs have fire and melancholy and a sense as of perfume from ‘a closet long to quiet vowed, with mothed and dropping arras hung.’ Ronsard’s great fame declined when is Malherbe came to ‘bind the sweet influences of the Pleiad,’ but he has been duly honoured by the newest school of French poetry.
VI. JACQUES TAHUREAU, 1527-1555. The amorous poetry of Jacques Tahureau has the merit, rare in his, or in any age, of being the real expression of passion. His brief life burned itself away before he had exhausted the lyric effusion of his youth. ‘Le plus beau gentilhomme de son siècle, et le plus dextre à toutes sortes de gentillesses,’ died at the age of twenty-eight, fulfilling the presentiment which tinges, but scarcely saddens his poetry.
VII. JEAN PASSERAT, 1534-1602. Better known as a political satirist than as a poet.
POETS OF THE NINETEENTH CENTURY.
VICTOR HUGO.
ALFRED DE MUSSET, 1810-1857.
GÉRARD
DE NERVAL, 1801-1855.
HENRI MURGER, 1822-1861.
BALLADS.
The originals of the French folk-songs here translated are to be found in the collections of MM. De Puymaigre and Gerard de Nerval, and in the report of M. Ampère.
The verses called a ‘Lady of High Degree’ are imitated from a very early chanson in Bartsch’s collection.
The Greek ballads have been translated with the aid of the French versions by M. Fauriel.
[The new-liveried year. - Sir Henry Wotton.]
The year has changed his mantle cold
Of wind, of rain, of bitter
air;
And he goes clad in cloth of gold,
Of laughing suns and
season fair;
No bird or beast of wood or wold
But doth with
cry or song declare
The year lays down his mantle cold.
All
founts, all rivers, seaward rolled,
The pleasant summer livery
wear,
With silver studs on broidered vair;
The world puts
off its raiment old,
The year lays down his mantle cold.
[To his Mistress, to succour his heart that is beleaguered by jealousy.]
Strengthen, my Love, this castle of my heart,
And with some
store of pleasure give me aid,
For Jealousy, with all them of his
part,
Strong siege about the weary tower has laid.
Nay, if
to break his bands thou art afraid,
Too weak to make his cruel
force depart,
Strengthen at least this castle of my heart,
And
with some store of pleasure give me aid.
Nay, let not Jealousy,
for all his art
Be master, and the tower in ruin laid,
That
still, ah Love! thy gracious rule obeyed.
Advance, and give me
succour of thy part;
Strengthen, my Love, this castle of my heart.
Goodbye! the tears are in my eyes;
Farewell, farewell, my prettiest;
Farewell,
of women born the best;
Good-bye! the saddest of good-byes.
Farewell!
with many vows and sighs
My sad heart leaves you to your rest;
Farewell!
the tears are in my eyes;
Farewell! from you my miseries
Are
more than now may be confessed,
And most by thee have I been blessed,
Yea,
and for thee have wasted sighs;
Goodbye! the last of my goodbyes.
I have a tree, a graft of Love,
That in my heart has taken root;
Sad
are the buds and blooms thereof,
And bitter sorrow is its fruit;
Yet,
since it was a tender shoot,
So greatly hath its shadow spread,
That
underneath all joy is dead,
And all my pleasant days are flown,
Nor
can I slay it, nor instead
Plant any tree, save this alone.
Ah, yet, for long and long enough
My tears were rain about its
root,
And though the fruit be harsh thereof,
I scarcely looked
for better fruit
Than this, that carefully I put
In garner,
for the bitter bread
Whereon my weary life is fed:
Ah, better
were the soil unsown
That bears such growths; but Love instead
Will
plant no tree, but this alone.
Ah, would that this new spring, whereof
The leaves and flowers
flush into shoot,
I might have succour and aid of Love,
To
prune these branches at the root,
That long have borne such bitter
fruit,
And graft a new bough, comforted
With happy blossoms
white and red;
So pleasure should for pain atone,
Nor Love
slay this tree, nor instead
Plant any tree, but this alone.
L’ENVOY.
Princess, by whom my hope is fed,
My heart thee prays in lowlihead
To
prune the ill boughs overgrown,
Nor slay Love’s tree, nor
plant instead
Another tree, save this alone.
[An epitaph in the form of a ballad that François Villon wrote of himself and his company, they expecting shortly to be hanged.]
Brothers and men that shall after us be,
Let not your hearts
be hard to us:
For pitying this our misery
Ye shall find God
the more piteous.
Look on us six that are hanging thus,
And
for the flesh that so much we cherished
How it is eaten of birds
and perished,
And ashes and dust fill our bones’ place,
Mock
not at us that so feeble be,
But pray God pardon us out of His
grace.
Listen, we pray you, and look not in scorn,
Though justly, in
sooth, we are cast to die;
Ye wot no man so wise is born
That
keeps his wisdom constantly.
Be ye then merciful, and cry
To
Mary’s Son that is piteous,
That His mercy take no stain
from us,
Saving us out of the fiery place.
We are but dead,
let no soul deny
To pray God succour us of His grace.
The rain out of heaven has washed us clean,
The sun has scorched
us black and bare,
Ravens and rooks have pecked at our eyne,
And
feathered their nests with our beards and hair.
Round are we tossed,
and here and there,
This way and that, at the wild wind’s
will,
Never a moment my body is still;
Birds they are busy
about my face.
Live not as we, nor fare as we fare;
Pray God
pardon us out of His grace.
L’ENVOY.
Prince Jesus, Master of all, to thee
We pray Hell gain no mastery,
That
we come never anear that place;
And ye men, make no mockery,
Pray
God pardon us out of His grace.
[The winds are invoked by the winnowers of corn.]
To you, troop so fleet,
That with winged wandering feet,
Through
the wide world pass,
And with soft murmuring
Toss the green
shades of spring
In woods and grass,
Lily and violet
I
give, and blossoms wet,
Roses and dew;
This branch of blushing
roses,
Whose fresh bud uncloses,
Wind-flowers too.
Ah,
winnow with sweet breath,
Winnow the holt and heath,
Round
this retreat;
Where all the golden morn
We fan the gold o’
the corn,
In the sun’s heat.
We that with like hearts love, we lovers twain,
New wedded in
the village by thy fane,
Lady of all chaste love, to thee it is
We
bring these amaranths, these white lilies,
A sign, and sacrifice;
may Love, we pray,
Like amaranthine flowers, feel no decay;
Like
these cool lilies may our loves remain,
Perfect and pure, and know
not any stain;
And be our hearts, from this thy holy hour,
Bound
each to each, like flower to wedded flower.
So long you wandered on the dusky plain,
Where flit the shadows
with their endless cry,
You reach the shore where all the world
goes by,
You leave the strife, the slavery, the pain;
But
we, but we, the mortals that remain
In vain stretch hands; for
Charon sullenly
Drives us afar, we may not come anigh
Till
that last mystic obolus we gain.
But you are happy in the quiet place,
And with the learned lovers
of old days,
And with your love, you wander ever-more
In the
dim woods, and drink forgetfulness
Of us your friends, a weary
crowd that press
About the gate, or labour at the oar.
If this our little life is but a day
In the Eternal, - if the
years in vain
Toil after hours that never come again, -
If
everything that hath been must decay,
Why dreamest thou of joys
that pass away,
My soul, that my sad body doth restrain?
Why
of the moment’s pleasure art thou fain?
Nay, thou hast wings,
- nay, seek another stay.
There is the joy whereto each soul aspires,
And there the rest
that all the world desires,
And there is love, and peace, and gracious
mirth;
And there in the most highest heavens shalt thou
Behold
the Very Beauty, whereof now
Thou worshippest the shadow upon earth.
April, pride of woodland ways,
Of glad days,
April, bringing
hope of prime,
To the young flowers that beneath
Their bud
sheath
Are guarded in their tender time;
April, pride of fields that be
Green and free,
That in
fashion glad and gay,
Stud with flowers red and blue,
Every
hue,
Their jewelled spring array;
April, pride of murmuring
Winds of spring,
That beneath
the winnowed air,
Trap with subtle nets and sweet
Flora’s
feet,
Flora’s feet, the fleet and fair;
April, by thy hand caressed,
From her breast
Nature scatters
everywhere
Handfuls of all sweet perfumes,
Buds and blooms,
Making
faint the earth and air.
April, joy of the green hours,
Clothes with flowers
Over
all her locks of gold
My sweet Lady; and her breast
With the
blest
Birds of summer manifold.
April, with thy gracious wiles,
Like the smiles,
Smiles
of Venus; and thy breath
Like her breath, the Gods’ delight,
(From
their height
They take the happy air beneath;)
It is thou that, of thy grace,
From their place
In the
far-oft isles dost bring
Swallows over earth and sea,
Glad
to be
Messengers of thee, and Spring.
Daffodil and eglantine,
And woodbine,
Lily, violet, and
rose
Plentiful in April fair,
To the air,
Their pretty
petals do unclose.
Nightingales ye now may hear,
Piercing clear,
Singing in
the deepest shade;
Many and many a babbled note
Chime and
float,
Woodland music through the glade.
April, all to welcome thee,
Spring sets free
Ancient flames,
and with low breath
Wakes the ashes grey and old
That the
cold
Chilled within our hearts to death.
Thou beholdest in the warm
Hours, the swarm
Of the thievish
bees, that flies
Evermore from bloom to bloom
For perfume,
Hid
away in tiny thighs.
Her cool shadows May can boast,
Fruits almost
Ripe, and
gifts of fertile dew,
Manna-sweet and honey-sweet,
That complete
Her
flower garland fresh and new.
Nay, but I will give my praise,
To these days,
Named with
the glad name of Her {1}
That
from out the foam o’ the sea
Came to be
Sudden light
on earth and air.
I send you here a wreath of blossoms blown,
And woven flowers
at sunset gathered,
Another dawn had seen them ruined, and shed
Loose
leaves upon the grass at random strown.
By this, their sure example,
be it known,
That all your beauties, now in perfect flower,
Shall
fade as these, and wither in an hour,
Flowerlike, and brief of
days, as the flower sown.
Ah, time is flying, lady - time is flying;
Nay, ’tis not
time that flies but we that go,
Who in short space shall be in
churchyard lying,
And of our loving parley none shall know,
Nor
any man consider what we were;
Be therefore kind, my love, whiles
thou art fair.
See, Mignonne, hath not the Rose,
That this morning did unclose
Her
purple mantle to the light,
Lost, before the day be dead,
The
glory of her raiment red,
Her colour, bright as yours is bright?
Ah, Mignonne, in how few hours,
The petals of her purple flowers
All
have faded, fallen, died;
Sad Nature, mother ruinous,
That
seest thy fair child perish thus
‘Twixt matin song and even
tide.
Hear me, my darling, speaking sooth,
Gather the fleet flower
of your youth,
Take ye your pleasure at the best;
Be merry
ere your beauty flit,
For length of days will tarnish it
Like
roses that were loveliest.
Hide this one night thy crescent, kindly Moon;
So shall Endymion
faithful prove, and rest
Loving and unawakened on thy breast;
So
shall no foul enchanter importune
Thy quiet course; for now the
night is boon,
And through the friendly night unseen I fare,
Who
dread the face of foemen unaware,
And watch of hostile spies in
the bright noon.
Thou knowest, Moon, the bitter power of Love;
’Tis
told how shepherd Pan found ways to move,
For little price, thy
heart; and of your grace,
Sweet stars, be kind to this not alien
fire,
Because on earth ye did not scorn desire,
Bethink ye,
now ye hold your heavenly place.
Fair flower of fifteen springs, that still
Art scarcely blossomed
from the bud,
Yet hast such store of evil will,
A heart so
full of hardihood,
Seeking to hide in friendly wise
The mischief
of your mocking eyes.
If you have pity, child, give o’er;
Give back the heart
you stole from me,
Pirate, setting so little store
On this
your captive from Love’s sea,
Holding his misery for gain,
And
making pleasure of his pain.
Another, not so fair of face,
But far more pitiful than you,
Would
take my heart, if of his grace,
My heart would give her of Love’s
due;
And she shall have it, since I find
That you are cruel
and unkind.
Nay, I would rather that it died,
Within your white hands prisoning,
Would
rather that it still abide
In your ungentle comforting.
Than
change its faith, and seek to her
That is more kind, but not so
fair.
All take these lips away; no more,
No more such kisses give
to me.
My spirit faints for joy; I see
Through mists of death
the dreamy shore,
And meadows by the water-side,
Where all
about the Hollow Land
Fare the sweet singers that have died,
With
their lost ladies, hand in hand;
Ah, Love, how fireless are their
eyes,
How pale their lips that kiss and smile!
So mine must
be in little while
If thou wilt kiss me in such wise.
When you are very old, at evening
You’ll sit and spin
beside the fire, and say,
Humming my songs, ‘Ah well, ah
well-a-day!
When I was young, of me did Ronsard sing.’
None
of your maidens that doth hear the thing,
Albeit with her weary
task foredone,
But wakens at my name, and calls you one
Blest,
to be held in long remembering.
I shall be low beneath the earth, and laid
On sleep, a phantom
in the myrtle shade,
While you beside the fire, a grandame grey,
My
love, your pride, remember and regret;
Ah, love me, love! we may
be happy yet,
And gather roses, while ’tis called to-day.
My lady woke upon a morning fair,
What time Apollo’s chariot
takes the skies,
And, fain to fill with arrows from her eyes
His
empty quiver, Love was standing there:
I saw two apples that her
breast doth bear
None such the close of the Hesperides
Yields;
nor hath Venus any such as these,
Nor she that had of nursling
Mars the care.
Even such a bosom, and so fair it was,
Pure as the perfect work
of Phidias,
That sad Andromeda’s discomfiture
Left bare,
when Perseus passed her on a day,
And pale as Death for fear of
Death she lay,
With breast as marble cold, as marble pure.
Twain that were foes, while Mary lived, are fled;
One laurel-crowned
abides in heaven, and one
Beneath the earth has fared, a fallen
sun,
A light of love among the loveless dead.
The first is
Chastity, that vanquished
The archer Love, that held joint empery
With
the sweet beauty that made war on me,
When laughter of lips with
laughing eyes was wed.
Their strife the Fates have closed, with stern control,
The
earth holds her fair body, and her soul
An angel with glad angels
triumpheth;
Love has no more that he can do; desire
Is buried,
and my heart a faded fire,
And for Death’s sake, I am in
love with Death.
As in the gardens, all through May, the rose,
Lovely, and young,
and fair apparelled,
Makes sunrise jealous of her rosy red,
When
dawn upon the dew of dawning glows;
Graces and Loves within her
breast repose,
The woods are faint with the sweet odour shed,
Till
rains and heavy suns have smitten dead
The languid flower, and
the loose leaves unclose, -
So this, the perfect beauty of our days,
When earth and heaven
were vocal of her praise,
The fates have slain, and her sweet soul
reposes;
And tears I bring, and sighs, and on her tomb
Pour
milk, and scatter buds of many a bloom,
That dead, as living, she
may be with roses.
Within the sand of what far river lies
The gold that gleams
in tresses of my Love?
What highest circle of the Heavens above
Is
jewelled with such stars as are her eyes?
And where is the rich
sea whose coral vies
With her red lips, that cannot kiss enough?
What
dawn-lit garden knew the rose, whereof
The fled soul lives in her
cheeks’ rosy guise?
What Parian marble that is loveliest,
Can match the whiteness
of her brow and breast?
When drew she breath from the Sabaean glade?
Oh
happy rock and river, sky and sea,
Gardens, and glades Sabaean,
all that be
The far-off splendid semblance of my maid!
The high Midnight was garlanding her head
With many a shining
star in shining skies,
And, of her grace, a slumber on mine eyes,
And,
after sorrow, quietness was shed.
Far in dim fields cicalas jargonéd
A
thin shrill clamour of complaints and cries;
And all the woods
were pallid, in strange wise,
With pallor of the sad moon overspread.
Then came my lady to that lonely place,
And, from her palfrey
stooping, did embrace
And hang upon my neck, and kissed me over;
Wherefore
the day is far less dear than night,
And sweeter is the shadow
than the light,
Since night has made me such a happy lover.
Off with sleep, love, up from bed,
This fair morn;
See,
for our eyes the rosy red
New dawn is born;
Now that skies
are glad and gay
In this gracious month of May,
Love me, sweet,
Fill
my joy in brimming measure,
In this world he hath no pleasure,
That
will none of it.
Come, love, through the woods of spring,
Come walk with me;
Listen,
the sweet birds jargoning
From tree to tree.
List and listen,
over all
Nightingale most musical
That ceases never;
Grief
begone, and let us be
For a space as glad as he;
Time’s
flitting ever.
Old Time, that loves not lovers, wears
Wings swift in flight;
All
our happy life he bears
Far in the night.
Old and wrinkled
on a day,
Sad and weary shall you say,
‘Ah, fool was
I,
That took no pleasure in the grace
Of the flower that from
my face
Time has seen die.’
Leave then sorrow, teen, and tears
Till we be old;
Young
we are, and of our years
Till youth be cold
Pluck the flower;
while spring is gay
In this happy month of May,
Love me, love;
Fill
our joy in brimming measure;
In this world he hath no pleasure
That
will none thereof.
The Grave said to the Rose,
‘What of the dews of dawn,
Love’s
flower, what end is theirs?’
‘And what of spirits flown,
The
souls whereon doth close
The tomb’s mouth unawares?’
The
Rose said to the Grave.
The Rose said, ‘In the shade
From the dawn’s tears
is made
A perfume faint and strange,
Amber and honey sweet.’
‘And
all the spirits fleet
Do suffer a sky-change,
More strangely
than the dew,
To God’s own angels new,’
The Grave
said to the Rose.
The dawn is smiling on the dew that covers
The tearful roses;
lo, the little lovers
That kiss the buds, and all the flutterings
In
jasmine bloom, and privet, of white wings,
That go and come, and
fly, and peep and hide,
With muffled music, murmured far and wide!
Ah,
Spring time, when we think of all the lays
That dreamy lovers send
to dreamy mays,
Of the fond hearts within a billet bound,
Of
all the soft silk paper that pens wound,
The messages of love that
mortals write
Filled with intoxication of delight,
Written
in April, and before the May time
Shredded and flown, play things
for the wind’s play-time,
We dream that all white butterflies
above,
Who seek through clouds or waters souls to love,
And
leave their lady mistress in despair,
To flit to flowers, as kinder
and more fair,
Are but torn love-letters, that through the skies
Flutter,
and float, and change to Butterflies.
Since I have set my lips to your full cup, my sweet,
Since I
my pallid face between your hands have laid,
Since I have known
your soul, and all the bloom of it,
And all the perfume rare, now
buried in the shade;
Since it was given to me to hear one happy while,
The words
wherein your heart spoke all its mysteries,
Since I have seen you
weep, and since I have seen you smile,
Your lips upon my lips,
and your eyes upon my eyes;
Since I have known above my forehead glance and gleam,
A ray,
a single ray, of your star, veiled always,
Since I have felt the
fall, upon my lifetime’s stream,
Of one rose petal plucked
from the roses of your days;
I now am bold to say to the swift changing hours,
Pass, pass
upon your way, for I grow never old,
Fleet to the dark abysm with
all your fading flowers,
One rose that none may pluck, within my
heart I hold.
Your flying wings may smite, but they can never spill
The cup
fulfilled of love, from which my lips are wet;
My heart has far
more fire than you have frost to chill,
My soul more love than
you can make my soul forget.
There is an air for which I would disown
Mozart’s, Rossini’s,
Weber’s melodies, -
A sweet sad air that languishes and sighs,
And
keeps its secret charm for me alone.
Whene’er I hear that music vague and old,
Two hundred
years are mist that rolls away;
The thirteenth Louis reigns, and
I behold
A green land golden in the dying day.
An old red castle, strong with stony towers,
The windows gay
with many coloured glass;
Wide plains, and rivers flowing among
flowers,
That bathe the castle basement as they pass.
In antique weed, with dark eyes and gold hair,
A lady looks
forth from her window high;
It may be that I knew and found her
fair,
In some forgotten life, long time gone by.
Again I see you, ah my queen,
Of all my old loves that have
been,
The first love, and the tenderest;
Do you remember or
forget -
Ah me, for I remember yet -
How the last summer days
were blest?
Ah lady, when we think of this,
The foolish hours of youth and
bliss,
How fleet, how sweet, how hard to hold!
How old we
are, ere spring be green!
You touch the limit of eighteen
And
I am twenty winters old.
My rose, that mid the red roses,
Was brightest, ah, how pale
she is!
Yet keeps the beauty of her prime;
Child, never Spanish
lady’s face
Was lovely with so wild a grace;
Remember
the dead summer time.
Think of our loves, our feuds of old,
And how you gave your
chain of gold
To me for a peace offering;
And how all night
I lay awake
To touch and kiss it for your sake, -
To touch
and kiss the lifeless thing.
Lady, beware, for all we say,
This Love shall live another day,
Awakened
from his deathly sleep;
The heart that once has been your shrine
For
other loves is too divine;
A home, my dear, too wide and deep.
What did I say - why do I dream?
Why should I struggle with
the stream
Whose waves return not any day?
Close heart, and
eyes, and arms from me;
Farewell, farewell! so must it be,
So
runs, so runs, the world away,
The season bears upon its wing
The swallows and the songs of
spring,
And days that were, and days that flit;
The loved
lost hours are far away;
And hope and fame are scattered spray
For
me, that gave you love a day
For you that not remember it.
Winter is passing, and the bells
For ever with their silver
lay
Murmur a melody that tells
Of April and of Easter day.
High
in sweet air the light vane sets,
The weathercocks all southward
twirl;
A sou will buy her violets
And make Nini a happy girl.
The winter to the poor was sore,
Counting the weary winter days,
Watching
his little fire-wood store,
The bitter snow-flakes fell always;
And
now his last log dimly gleamed,
Lighting the room with feeble glare,
Half
cinder and half smoke it seemed
That the wind wafted into air.
Pilgrims from ocean and far isles
See where the east is reddening,
The
flocks that fly a thousand miles
From sunsetting to sunsetting;
Look
up, look out, behold the swallows,
The throats that twitter, the
wings that beat;
And on their song the summer follows,
And
in the summer life is sweet.
* * * * * *
With the green tender buds that know
The shoot and sap of lusty
spring
My neighbour of a year ago
Her casement, see, is opening;
Through
all the bitter months that were,
Forth from her nest she dared
not flee,
She was a study for Boucher,
She now might sit to
Gavarni.
Louise, have you forgotten yet
The corner of the flowery land,
The
ancient garden where we met,
My hand that trembled in your hand?
Our
lips found words scarce sweet enough,
As low beneath the willow-trees
We
sat; have you forgotten, love?
Do you remember, love Louise?
Marie, have you forgotten yet
The loving barter that we made?
The
rings we changed, the suns that set,
The woods fulfilled with sun
and shade?
The fountains that were musical
By many an ancient
trysting tree -
Marie, have you forgotten all?
Do you remember,
love Marie?
Christine, do you remember yet
Your room with scents and roses
gay?
My garret - near the sky ’twas set -
The April
hours, the nights of May?
The clear calm nights - the stars above
That
whispered they were fairest seen
Through no cloud-veil? Remember,
love!
Do you remember, love Christine?
Louise is dead, and, well-a-day!
Marie a sadder path has ta’en;
And
pale Christine has passed away
In southern suns to bloom again.
Alas!
for one and all of us -
Marie, Louise, Christine forget;
Our
bower of love is ruinous,
And I alone remember yet.
Yesterday, watching the swallows’ flight
That bring the
spring and the season fair,
A moment I thought of the beauty bright
Who
loved me, when she had time to spare;
And dreamily, dreamily all
the day,
I mused on the calendar of the year,
The year so
near and so far away,
When you were lief, and when I was dear.
Your memory has not had time to pass;
My youth has days of its
lifetime yet;
If you only knocked at the door, alas,
My heart
would open the door, Musette!
Still at your name must my sad heart
beat;
Ah Muse, ah maiden of faithlessness!
Return for a moment,
and deign to eat
The bread that pleasure was wont to bless.
The tables and curtains, the chairs and all,
Friends of our
pleasure that looked on our pain,
Are glad with the gladness of
festival,
Hoping to see you at home again;
Come, let the days
of their mourning pass,
The silent friends that are sad for you
yet;
The little sofa, the great wine glass -
For know you
had often my share, Musette.
Come, you shall wear the raiment white
You wore of old, when
the world was gay,
We will wander in woods of the heart’s
delight
The whole of the Sunday holiday.
Come, we will sit
by the wayside inn,
Come, and your song will gain force to fly,
Dipping
its wing in the clear and thin
Wine, as of old, ere it scale the
sky.
Musette, who had scarcely forgotten withal
One beautiful dawn
of the new year’s best,
Returned at the end of the carnival,
A
flown bird, to a forsaken nest.
Ah faithless and fair! I
embrace her yet,
With no heart-beat, and with never a sigh;
And
Musette, no longer the old Musette,
Declares that I am no longer
I.
Farewell, my dear that was once so dear,
Dead with the death
of our latest love;
Our youth is laid in its sepulchre,
The
calendar stands for a stone above.
’Tis only in searching
the dust of the days,
The ashes of all old memories,
That
we find the key of the woodland ways
That lead to the place of
our paradise.
All beneath the white-rose tree
Walks a lady fair to see,
She
is as white as the snows,
She is as fair as the day:
From
her father’s garden close
Three knights have ta’en
her away.
He has ta’en her by the hand,
The youngest of the three
-
‘Mount and ride, my bonnie bride,
On my white horse
with me.’
And ever they rode, and better rode,
Till they came to Senlis
town,
The hostess she looked hard at them
As they were lighting
down.
‘And are ye here by force,’ she said,
‘Or
are ye here for play?
From out my father’s garden close
Three
knights me stole away.
‘And fain would I win back,’ she said,
‘The
weary way I come;
And fain would see my father dear,
And fain
go maiden home.’
‘Oh, weep not, lady fair,’ said she,
‘You
shall win back,’ she said,
‘For you shall take this
draught from me
Will make you lie for dead.’
‘Come in and sup, fair lady,’ they said,
‘Come
busk ye and be bright;
It is with three bold captains
That
ye must be this night.’
When they had eaten well and drunk,
She fell down like one slain:
‘Now,
out and alas! for my bonny may
Shall live no more again.’
‘Within her father’s garden stead
There are three
white lilies;
With her body to the lily bed,
With her soul
to Paradise.’
They bore her to her father’s house,
They bore her all
the three,
They laid her in her father’s close,
Beneath
the white-rose tree.
She had not lain a day, a day,
A day but barely three,
When
the may awakes, ‘Oh, open, father,
Oh, open the door for
me.
‘’Tis I have lain for dead, father,
Have lain the
long days three,
That I might maiden come again
To my mother
and to thee.’
‘The dance is on the Bridge of Death
And who will dance
with me?’
‘There’s never a man of living men
Will
dare to dance with thee.’
Now Margaret’s gone within her bower
Put ashes in her
hair,
And sackcloth on her bonny breast,
And on her shoulders
bare.
There came a knock to her bower door,
And blithe she let him
in;
It was her brother from the wars,
The dearest of her kin.
‘Set gold within your hair, Margaret,
Set gold within
your hair,
And gold upon your girdle band,
And on your breast
so fair.
‘For we are bidden to dance to-night,
We may not bide
away;
This one good night, this one fair night,
Before the
red new day.’
‘Nay, no gold for my head brother,
Nay, no gold for my
hair;
It is the ashes and dust of earth
That you and I must
wear.
‘No gold work for my girdle band,
No gold work on my feet;
But
ashes of the fire, my love,
But dust that the serpents eat.’
* * * * * *
They danced across the bridge of Death,
Above the black water,
And
the marriage-bell was tolled in hell
For the souls of him and her.
King Louis on his bridge is he,
He holds his daughter on his
knee.
She asks a husband at his hand
That is not worth a rood of land.
‘Give up your lover speedily,
Or you within the tower
must lie.’
‘Although I must the prison dree,
I will not change my
love for thee.
‘I will not change my lover fair
Not for the mother that
me bare.
‘I will not change my true lover
For friends, or for my
father dear.’
‘Now where are all my pages keen,
And where are all my
serving men?
‘My daughter must lie in the tower alway,
Where she shall
never see the day.’
* * * * * *
Seven long years are past and gone
And there has seen her never
one.
At ending of the seventh year
Her father goes to visit her.
‘My child, my child, how may you be?’
‘O father,
it fares ill with me.
‘My feet are wasted in the mould,
The worms they gnaw
my side so cold.’
‘My child, change your love speedily
Or you must still
in prison lie.’
‘’Tis better far the cold to dree
Than give my true
love up for thee.’
It was a mother and a maid
That walked the woods among,
And
still the maid went slow and sad,
And still the mother sung.
‘What ails you, daughter Margaret?
Why go you pale and
wan?
Is it for a cast of bitter love,
Or for a false leman?’
‘It is not for a false lover
That I go sad to see;
But
it is for a weary life
Beneath the greenwood tree.
‘For ever in the good daylight
A maiden may I go,
But
always on the ninth midnight
I change to a milk white doe.
‘They hunt me through the green forest
With hounds and
hunting men;
And ever it is my fair brother
That is so fierce
and keen.’
* * * * *
‘Good-morrow, mother.’ ‘Good-morrow, son;
Where
are your hounds so good?’
Oh, they are hunting a white doe
Within
the glad greenwood.
‘And three times have they hunted her,
And thrice she’s
won away;
The fourth time that they follow her
That white
doe they shall slay.’
* * * * * *
Then out and spoke the forester,
As he came from the wood,
‘Now
never saw I maid’s gold hair
Among the wild deer’s
blood.
‘And I have hunted the wild deer
In east lands and in
west;
And never saw I white doe yet
That had a maiden’s
breast.’
Then up and spake her fair brother,
Between the wine and bread,
‘Behold,
I had but one sister,
And I have been her dead.’
‘But ye must bury my sweet sister
With a stone at her
foot and her head,
And ye must cover her fair body
With the
white roses and red.’
And I must out to the greenwood,
The roof shall never shelter
me;
And I shall lie for seven long years
On the grass below
the hawthorn tree.
[I be pareld most of prise,
I ride after the wild fee.]
Will ye that I should sing
Of the love of a goodly thing,
Was
no vilein’s may?
’Tis sung of a knight so free,
Under
the olive tree,
Singing this lay.
Her weed was of samite fine,
Her mantle of white ermine,
Green
silk her hose;
Her shoon with silver gay,
Her sandals flowers
of May,
Laced small and close.
Her belt was of fresh spring buds,
Set with gold clasps and
studs,
Fine linen her shift;
Her purse it was of love,
Her
chain was the flower thereof,
And Love’s gift.
Upon a mule she rode,
The selle was of brent gold,
The
bits of silver made;
Three red rose trees there were
That
overshadowed her,
For a sun shade.
She riding on a day,
Knights met her by the way,
They did
her grace;
‘Fair lady, whence be ye?’
‘France
it is my countrie,
I come of a high race.
‘My sire is the nightingale,
That sings, making his wail,
In
the wild wood, clear;
The mermaid is mother to me,
That sings
in the salt sea,
In the ocean mere.’
‘Ye come of a right good race,
And are born of a high
place,
And of high degree;
Would to God that ye were
Given
unto me, being fair,
My lady and love to be.’
I laved my hands,
BY the water side;
With the willow leaves
My
hands I dried.
The nightingale sung
On the bough of the tree;
Sing, sweet
nightingale,
It is well with thee.
Thou hast heart’s delight,
I have sad heart’s sorrow
For
a false false maid
That will wed to-morrow.
’Tis all for a rose,
That I gave her not,
And I would
that it grew
In the garden plot.
And I would the rose-tree
Were still to set,
That my love
Marie
Might love me yet.
The moon came up above the hill,
The sun went down the sea;
Go,
maids, and fetch the well-water,
But, lad, come here to me.
Gird on my jack and my old sword,
For I have never a son;
And
you must be the chief of all
When I am dead and gone.
But you must take my old broad sword,
And cut the green bough
of the tree,
And strew the green boughs on the ground
To make
a soft death bed for me.
And you must bring the holy priest
That I may sained be;
For
I have lived a roving life
Fifty years under the greenwood tree.
And you shall make a grave for me,
And make it deep and wide;
That
I may turn about and dream
With my old gun by my side.
And leave a window to the east,
And the swallows will bring
the spring;
And all the merry month of May
The nightingales
will sing.
It was a maid lay sick of love,
All for a leman fair;
And
it was three of her bower-maidens
That came to comfort her.
The first she bore a blossomed branch,
The second an apple brown,
The
third she had a silk kerchief,
And still her tears ran down.
The first she mocked, the second she laughed -
‘We have
loved lemans fair,
We made our hearts like the iron stone
Had
little teen or care.’
‘If ye have loved ’twas a false false love,
And
an ill leman was he;
But her true love had angel’s eyes,
And
as fair was his sweet body.
And I will gird my green kirtle,
And braid my yellow hair,
And
I will over the high hills
And bring her love to her.’
‘Nay, if you braid your yellow hair,
You’ll twine
my love from me.’
‘Now nay, now nay, my lady good,
That
ever this should be!’
‘When you have crossed the western hills
My true love
you shall meet,
With a green flag blowing over him,
And green
grass at his feet.’
She has crossed over the high hills,
And the low hills between,
And
she has found the may’s leman
Beneath a flag of green.
’Twas four and twenty ladies fair
Were sitting on the
grass;
But he has turned and looked on her,
And will not let
her pass.
‘You’ve maidens here, and maidens there,
And loves
through all the land;
But what have you made of the lady fair
You
gave the rose-garland?’
She was so harsh and cold of love,
To me gave little grace;
She
wept if I but touched her hand,
Or kissed her bonny face.
‘Yea, crows shall build in the eagle’s nest,
The
hawk the dove shall wed,
Before my old true love and I
Meet
in one wedding bed.’
When she had heard his bitter rede
That was his old true love,
She
sat and wept within her bower,
And moaned even as a dove.
She rose up from her window seat,
And she looked out to see;
Her
love came riding up the street
With a goodly company.
He was clad on with Venice gold,
Wrought upon cramoisie,
His
yellow hair shone like the sun
About his fair body.
‘Now shall I call him blossomed branch
That has ill knots
therein?
Or shall I call him basil plant,
That comes of an
evil kin?
‘Oh, I shall give him goodly names,
My sword of damask
fine;
My silver flower, my bright-winged bird,
Where go you,
lover mine?’
‘I go to marry my new bride,
That I bring o’er the
down;
And you shall be her bridal maid,
And hold her bridal
crown.’
‘When you come to the bride chamber
Where your fair maiden
is,
You’ll tell her I was fair of face,
But never tell
her this,
‘That still my lips were lips of love,
My kiss love’s
spring-water,
That my love was a running spring,
My breast
a garden fair.
‘And you have kissed the lips of love
And drained the
well-water,
And you have spoiled the running spring,
And robbed
the fruits so fair.’
* * * * * *
‘Now he that will may scatter nuts,
And he may wed that
will;
But she that was my old true love
Shall be my true love
still.’
All the maidens were merry and wed
All to lovers so fair to
see;
The lover I took to my bridal bed
He is not long for
love and me.
I spoke to him and he noting said,
I gave him bread of the wheat
so fine,
He did not eat of the bridal bread,
He did not drink
of the bridal wine.
I made him a bed was soft and deep,
I made him a bed to sleep
with me;
‘Look on me once before you sleep,
And look
on the flower of my fair body.
‘Flowers of April, and fresh May-dew,
Dew of April and
buds of May;
Two white blossoms that bud for you,
Buds that
blossom before the day.’
All in the mirk midnight when I was beside you,
Who has seen,
who has heard, what was said, what was done?
’Twas the night
and the light of the stars that espied you,
The fall of the moon,
and the dawning begun.
’Tis a swift star has fallen, a star that discovers
To
the sea what the green sea has told to the oars,
And the oars to
the sailors, and they of us lovers
Go singing this song at their
mistress’s doors.
Three crests against the saffron sky,
Beyond the purple plain,
The
dear remembered melody
Of Tweed once more again.
Wan water from the border hills,
Dear voice from the old years,
Thy
distant music lulls and stills,
And moves to quiet tears.
Like a loved ghost thy fabled flood
Fleets through the dusky
land;
Where Scott, come home to die, has stood,
My feet returning
stand.
A mist of memory broods and floats,
The border waters flow;
The
air is full of ballad notes,
Borne out of long ago.
Old songs that sung themselves to me,
Sweet through a boy’s
day dream,
While trout below the blossom’d tree
Plashed
in the golden stream.
* * * * * *
Twilight, and Tweed, and Eildon Hill,
Fair and thrice fair you
be;
You tell me that the voice is still
That should have welcomed
me.
[“Up there shot a lily red,
With a patch of earth from
the land of the dead,
For she was strong in the land of the dead.”]
When autumn suns are soft, and sea winds moan,
And golden fruits
make sweet the golden air,
In gardens where the apple blossoms
were,
In these old springs before I walked alone;
I pass among
the pathways overgrown,
Of all the former flowers that kissed your
feet
Remains a poppy, pallid from the heat,
A wild poppy that
the wild winds have sown.
Alas! the rose forgets your hands of
rose;
The lilies slumber in the lily bed;
’Tis only
poppies in the dreamy close,
The changeless, windless garden of
the dead,
You tend, with buds soft as your kiss that lies
In
over happy dreams, upon mine eyes.
I shall not see thee, nay, but I shall know
Perchance, thy grey
eyes in another’s eyes,
Shall guess thy curls in gracious
locks that flow
On purest brows, yea, and the swift surmise
Shall
follow, and track, and find thee in disguise
Of all sad things,
and fair, where sunsets glow,
When through the scent of heather,
faint and low,
The weak wind whispers to the day that dies.
From all sweet art, and out of all ‘old rhyme,’
Thine
eyes and lips are light and song to me;
The shadows of the beauty
of all time,
Carven and sung, are only shapes of thee;
Alas,
the shadowy shapes! ah, sweet my dear
Shall life or death bring
all thy being near?
I dreamed that somewhere in the shadowy place,
Grief of farewell
unspoken was forgot
In welcome, and regret remembered not;
And
hopeless prayer accomplished turned to praise
On lips that had
been songless many days;
Hope had no more to hope for, and desire
And
dread were overpast, in white attire
New born we walked among the
new world’s ways.
Then from the press of shades a spirit threw
Towards me such
apples as these gardens bear;
And turning, I was ‘ware of
her, and knew
And followed her fleet voice and flying hair, -
Followed,
and found her not, and seeking you
I found you never, dearest,
anywhere.
The perfect piteous beauty of thy face,
Is like a star the dawning
drives away;
Mine eyes may never see in the bright day
Thy
pallid halo, thy supernal grace:
But in the night from forth the
silent place
Thou comest, dim in dreams, as doth a stray
Star
of the starry flock that in the grey
Is seen, and lost, and seen
a moment’s space.
And as the earth at night turns to a star,
Loved long ago, and
dearer than the sun,
So in the spiritual place afar,
At night
our souls are mingled and made one,
And wait till one night fall,
and one dawn rise,
That brings no noon too splendid for your eyes.
The wind and the day had lived together,
They died together,
and far away
Spoke farewell in the sultry weather,
Out of
the sunset, over the heather,
The dying wind and the dying day.
Far in the south, the summer levin
Flushed, a flame in the grey
soft air:
We seemed to look on the hills of heaven;
You saw
within, but to me ’twas given
To see your face, as an angel’s,
there.
Never again, ah surely never
Shall we wait and watch, where
of old we stood,
The low good-night of the hill and the river,
The
faint light fade, and the wan stars quiver,
Twain grown one in
the solitude.
By the example of certain Grecian mariners, who, being safely returned from the war about Troy, leave yet again their old lands and gods, seeking they know not what, and choosing neither to abide in the fair Phaeacian island, nor to dwell and die with the Sirens, at length end miserably in a desert country by the sea, is set forth the Vanity of Melancholy. And by the land of Phaeacia is to be understood the place of Art and of fair Pleasures; and by Circe’s Isle, the places of bodily delights, whereof men, falling aweary, attain to Eld, and to the darkness of that age. Which thing Master Françoys Rabelais feigned, under the similitude of the Isle of the Macraeones.
There is a land in the remotest day,
Where the soft night is
born, and sunset dies;
The eastern shores see faint tides fade
away,
That wash the lands where laughter, tears, and sighs,
Make
life, - the lands beneath the blue of common skies.
But in the west is a mysterious sea,
(What sails have seen it,
or what shipmen known?)
With coasts enchanted where the Sirens
be,
With islands where a Goddess walks alone,
And in the cedar
trees the magic winds make moan
Eastward the human cares of house and home,
Cities, and ships,
and unknown Gods, and loves;
Westward, strange maidens fairer than
the foam,
And lawless lives of men, and haunted groves,
Wherein
a God may dwell, and where the Dryad roves.
The Gods are careless of the days and death
Of toilsome men,
beyond the western seas;
The Gods are heedless of their painful
breath,
And love them not, for they are not as these;
But
in the golden west they live and lie at ease.
Yet the Phaeacians well they love, who live
At the light’s
limit, passing careless hours,
Most like the Gods; and they have
gifts to give,
Even wine, and fountains musical, and flowers,
And
song, and if they will, swift ships, and magic powers.
It is a quiet midland; in the cool
Of twilight comes the God,
though no man prayed,
To watch the maids and young men beautiful
Dance,
and they see him, and are not afraid,
For they are near of kin
to Gods, and undismayed.
Ah, would the bright red prows might bring us nigh
The dreamy
isles that the Immortals keep!
But with a mist they hide them wondrously,
And
far the path and dim to where they sleep, -
The loved, the shadowy
lands along the shadowy deep.
The languid sunset, mother of roses,
Lingers, a light on the
magic seas,
The wide fire flames, as a flower uncloses,
Heavy
with odour, and loose to the breeze.
The red rose clouds, without law or leader,
Gather and float
in the airy plain;
The nightingale sings to the dewy cedar,
The
cedar scatters his scent to the main.
The strange flowers’ perfume turns to singing,
Heard afar
over moonlit seas;
The Siren’s song, grown faint in winging,
Falls
in scent on the cedar trees.
As waifs blown out of the sunset, flying,
Purple, and rosy,
and grey, the birds
Brighten the air with their wings; their crying
Wakens
a moment the weary herds.
Butterflies flit from the fairy garden,
Living blossoms of flying
flowers;
Never the nights with winter harden,
Nor moons wax
keen in this land of ours.
Great fruits, fragrant, green and golden,
Gleam in the green,
and droop and fall;
Blossom, and bud, and flower unfolden,
Swing,
and cling to the garden wall.
Deep in the woods as twilight darkens,
Glades are red with the
scented fire;
Far in the dells the white maid hearkens,
Song
and sigh of the heart’s desire.
Ah, and as moonlight fades in morning,
Maiden’s song in
the matin grey,
Faints as the first bird’s note, a warning,
Wakes
and wails to the new-born day.
The waking song and the dying measure
Meet, and the waxing and
waning light
Meet, and faint with the hours of pleasure,
The
rose of the sea and the sky is white.
THE PHAEACIANS.
Why from the dreamy meadows,
More fair than any dream,
Why
will you seek the shadows
Beyond the ocean stream?
Through straits of storm and peril,
Through firths unsailed
before,
Why make you for the sterile,
The dark Kimmerian shore?
There no bright streams are flowing,
There day and night are
one,
No harvest time, no sowing,
No sight of any sun;
No sound of song or tabor,
No dance shall greet you there;
No
noise of mortal labour,
Breaks on the blind chill air.
Are ours not happy places,
Where Gods with mortals trod?
Saw
not our sires the faces
Of many a present God?
THE SEEKERS.
Nay, now no God comes hither,
In shape that men may see;
They
fare we know not whither,
We know not what they be.
Yea, though the sunset lingers
Far in your fairy glades,
Though
yours the sweetest singers,
Though yours the kindest maids,
Yet here be the true shadows,
Here in the doubtful light;
Amid
the dreamy meadows
No shadow haunts the night.
We seek a city splendid,
With light beyond the sun;
Or
lands where dreams are ended,
And works and days are done.
Fair white bird, what song art thou singing
In wintry weather
of lands o’er sea?
Dear white bird, what way art thou winging,
Where
no grass grows, and no green tree?
I looked at the far off fields and grey,
There grew no tree
but the cypress tree,
That bears sad fruits with the flowers of
May,
And whoso looks on it, woe is he.
And whoso eats of the fruit thereof
Has no more sorrow, and
no more love;
And who sets the same in his garden stead,
In
a little space he is waste and dead.
The weary sails a moment slept,
The oars were silent for a space,
As
past Hesperian shores we swept,
That were as a remembered face
Seen
after lapse of hopeless years,
In Hades, when the shadows meet,
Dim
through the mist of many tears,
And strange, and though a shadow,
sweet.
So seemed the half-remembered shore,
That slumbered, mirrored
in the blue,
With havens where we touched of yore,
And ports
that over well we knew.
Then broke the calm before a breeze
That
sought the secret of the west;
And listless all we swept the seas
Towards
the Islands of the Blest.
Beside a golden sanded bay
We saw the Sirens, very fair
The
flowery hill whereon they lay,
The flowers set upon their hair.
Their
old sweet song came down the wind,
Remembered music waxing strong,
Ah
now no need of cords to bind,
No need had we of Orphic song.
It once had seemed a little thing,
To lay our lives down at
their feet,
That dying we might hear them sing,
And dying
see their faces sweet;
But now, we glanced, and passing by,
No
care had we to tarry long;
Faint hope, and rest, and memory
Were
more than any Siren’s song.
Ah, Circe, Circe! in the wood we cried;
Ah, Circe, Circe! but
no voice replied;
No voice from bowers o’ergrown and ruinous
As
fallen rocks upon the mountain side.
There was no sound of singing in the air;
Failed or fled the
maidens that were fair,
No more for sorrow or joy were seen of
us,
No light of laughing eyes, or floating hair.
The perfume, and the music, and the flame
Had passed away; the
memory of shame
Alone abode, and stings of faint desire,
And
pulses of vague quiet went and came.
Ah, Circe! in thy sad changed fairy place,
Our dead Youth came
and looked on us a space,
With drooping wings, and eyes of faded
fire,
And wasted hair about a weary face.
Why had we ever sought the magic isle
That seemed so happy in
the days erewhile?
Why did we ever leave it, where we met
A
world of happy wonders in one smile?
Back to the westward and the waning light
We turned, we fled;
the solitude of night
Was better than the infinite regret,
In
fallen places of our dead delight.
Between the circling ocean sea
And the poplars of Persephone
There
lies a strip of barren sand,
Flecked with the sea’s last
spray, and strown
With waste leaves of the poplars, blown
From
gardens of the shadow land.
With altars of old sacrifice
The shore is set, in mournful wise
The
mists upon the ocean brood;
Between the water and the air
The
clouds are born that float and fare
Between the water and the wood.
Upon the grey sea never sail
Of mortals passed within our hail,
Where
the last weak waves faint and flow;
We heard within the poplar
pale
The murmur of a doubtful wail
Of voices loved so long
ago.
We scarce had care to die or live,
We had no honey cake to give,
No
wine of sacrifice to shed;
There lies no new path over sea,
And
now we know how faint they be,
The feasts and voices of the Dead.
Ah, flowers and dance! ah, sun and snow!
Glad life, sad life
we did forego
To dream of quietness and rest;
Ah, would the
fleet sweet roses here
Poured light and perfume through the drear
Pale
year, and wan land of the west.
Sad youth, that let the spring go by
Because the spring is swift
to fly,
Sad youth, that feared to mourn or love,
Behold how
sadder far is this,
To know that rest is nowise bliss,
And
darkness is the end thereof.
[FOR A SKETCH BY MR. G. LESLIE, A.R.A.]
France your country, as we know;
Room enough for guessing yet,
What
lips now or long ago,
Kissed and named you - Colinette.
In
what fields from sea to sea,
By what stream your home was set,
Loire
or Seine was glad of thee,
Marne or Rhone, O Colinette?
Did you stand with ‘maidens ten,
Fairer maids were never
seen,’
When the young king and his men
Passed among
the orchards green?
Nay, old ballads have a note
Mournful,
we would fain forget;
No such sad old air should float
Round
your young brows, Colinette.
Say, did Ronsard sing to you,
Shepherdess, to lull his pain,
When
the court went wandering through
Rose pleasances of Touraine?
Ronsard
and his famous Rose
Long are dust the breezes fret;
You, within
the garden close,
You are blooming, Colinette.
Have I seen you proud and gay,
With a patched and perfumed beau,
Dancing
through the summer day,
Misty summer of Watteau?
Nay, so sweet
a maid as you
Never walked a minuet
With the splendid courtly
crew;
Nay, forgive me, Colinette.
Not from Greuze’s canvasses
Do you cast a glance, a smile;
You
are not as one of these,
Yours is beauty without guile.
Round
your maiden brows and hair
Maidenhood and Childhood met
Crown
and kiss you, sweet and fair,
New art’s blossom, Colinette.
LUI.
The silk sail fills, the soft winds wake,
Arise and tempt the
seas;
Our ocean is the Palace lake,
Our waves the ripples
that we make
Among the mirrored trees.
ELLE.
Nay, sweet the shore, and sweet the song,
And dear the languid
dream;
The music mingled all day long
With paces of the dancing
throng,
And murmur of the stream.
An hour ago, an hour ago,
We rested in the shade;
And now,
why should we seek to know
What way the wilful waters flow?
There
is no fairer glade.
LUI.
Nay, pleasure flits, and we must sail,
And seek him everywhere;
Perchance
in sunset’s golden pale
He listens to the nightingale,
Amid
the perfumed air.
Come, he has fled; you are not you,
And I no more am I;
Delight
is changeful as the hue
Of heaven, that is no longer blue
In
yonder sunset sky.
ELLE.
Nay, if we seek we shall not find,
If we knock none openeth;
Nay,
see, the sunset fades behind
The mountains, and the cold night
wind
Blows from the house of Death.
‘Wrought in the troublous times of Italy
By Sandro Botticelli,’
when for fear
Of that last judgment, and last day drawn near
To
end all labour and all revelry,
He worked and prayed in silence;
this is she
That by the holy cradle sees the bier,
And in
spice gifts the hyssop on the spear,
And out of Bethlehem, Gethsemane.
Between the gold sky and the green o’er head,
The twelve
great shining angels, garlanded,
Marvel upon this face, wherein
combine
The mother’s love that shone on all of us,
And
maiden rapture that makes luminous
The brows of Margaret and Catherine.
[To a young English lady in the Hospital of the Wounded at Carlsruhe. Sept. 1870.]
What does the dim gaze of the dying find
To waken dream or memory,
seeing you?
In your sweet eyes what other eyes are blue,
And
in your hair what gold hair on the wind
Floats of the days gone
almost out of mind?
In deep green valleys of the Fatherland
He
may remember girls with locks like thine;
May dream how, where
the waiting angels stand,
Some lost love’s eyes are dim before
they shine
With welcome: - so past homes, or homes to be,
He
sees a moment, ere, a moment blind,
He crosses Death’s inhospitable
sea,
And with brief passage of those barren lands
Comes to
the home that is not made with hands.
The flags below the shadowy fern
Shine like spears between sun
and sea,
The tide and the summer begin to turn,
And ah, for
hearts, for hearts that yearn,
For fires of autumn that catch and
burn,
For love gone out between thee and me.
The wind is up, and the weather broken,
Blue seas, blue eyes,
are grieved and grey,
Listen, the word that the wind has spoken,
Listen,
the sound of the sea, - a token
That summer’s over, and troths
are broken, -
That loves depart as the hours decay.
A love has passed to the loves passed over,
A month has fled
to the months gone by;
And none may follow, and none recover
July
and June, and never a lover
May stay the wings of the Loves that
hover,
As fleet as the light in a sunset sky.
[‘Serai-je nonnette, oui ou non?
Serai-je nonnette? je
crois que non.
Derrière chez mon père
Il est
un bois taillis,
Le rossignol y chante
Et le jour et le nuit.
Il
chaste pour les filles
Qui n’ont pas d’ami;
Il
ne chante pas pour moi,
J’en ai un, Dieu merci.’ -
OLD FRENCH.]
I’LL never be a nun, I trow,
While apple bloom is white
as snow,
But far more fair to see;
I’ll never wear nun’s
black and white
While nightingales make sweet the night
Within
the apple tree.
Ah, listen! ’tis the nightingale,
And in the wood he makes
his wail,
Within the apple tree;
He singeth of the sore distress
Of
many ladies loverless;
Thank God, no song for me.
For when the broad May moon is low,
A gold fruit seen where
blossoms blow
In the boughs of the apple tree,
A step I know
is at the gate;
Ah love, but it is long to wait
Until night’s
noon bring thee!
Between lark’s song and nightingale’s
A silent space,
while dawning pales,
The birds leave still and free
For words
and kisses musical,
For silence and for sighs that fall
In
the dawn, ‘twixt him and me.
[‘When last we gathered roses in the garden
I found my
wits, but truly you lost yours.’
THE BROKEN HEART.]
July, and June brought flowers and love
To you, but I would
none thereof,
Whose heart kept all through summer time
A flower
of frost and winter rime.
Yours was true wisdom - was it not? -
Even
love; but I had clean forgot,
Till seasons of the falling leaf,
All
loves, but one that turned to grief.
At length at touch of autumn
tide,
When roses fell, and summer died,
All in a dawning deep
with dew,
Love flew to me, love fled from you.
The roses drooped their weary heads,
I spoke among the garden
beds;
You would not hear, you could not know,
Summer and love
seemed long ago,
As far, as faint, as dim a dream,
As to the
dead this world may seem.
Ah sweet, in winter’s miseries,
Perchance
you may remember this,
How wisdom was not justified
In summer
time or autumn-tide,
Though for this once below the sun,
Wisdom
and love were made at one;
But love was bitter-bought enough,
And
wisdom light of wing as love.
Kiss me, and say good-bye;
Good-bye, there is no word to say
but this,
Nor any lips left for my lips to kiss,
Nor any tears
to shed, when these tears dry;
Kiss me, and say, good-bye.
Farewell, be glad, forget;
There is no need to say ‘forget,’
I know,
For youth is youth, and time will have it so,
And
though your lips are pale, and your eyes wet,
Farewell, you must
forget.
You shall bring home your sheaves,
Many, and heavy, and with
blossoms twined
Of memories that go not out of mind;
Let this
one sheaf be twined with poppy leaves
When you bring home your
sheaves.
In garnered loves of thine,
The ripe good fruit of many hearts
and years,
Somewhere let this lie, grey and salt with tears;
It
grew too near the sea wind, and the brine
Of life, this love of
mine.
This sheaf was spoiled in spring,
And over-long was green, and
early sere,
And never gathered gold in the late year
From
autumn suns, and moons of harvesting,
But failed in frosts of spring.
Yet was it thine my sweet,
This love, though weak as young corn
witheréd,
Whereof no man may gather and make bread;
Thine,
though it never knew the summer heat;
Forget not quite, my sweet.
[Greek text which cannot be reproduced
ODYSSEY, xiii. 59.]
My prayer an old prayer borroweth,
Of ancient love and memory
-
‘Do thou farewell, till Eld and Death,
That come to
all men, come to thee.’
Gently as winter’s early breath,
Scarce
felt, what time the swallows flee,
To lands whereof no man knoweth
Of
summer, over land and sea;
So with thy soul may summer be,
Even
as the ancient singer saith,
‘Do thou farewell, till Eld
and Death,
That come to all men, come to thee.’
With other helpless folk about the gate,
The gate called Beautiful,
with weary eyes
That take no pleasure in the summer skies,
Nor
all things that are fairest, does she wait;
So bleak a time, so
sad a changeless fate
Makes her with dull experience early wise,
And
in the dawning and the sunset, sighs
That all hath been, and shall
be, desolate.
Ah, if Love come not soon, and bid her live,
And know herself
the fairest of fair things,
Ah, if he have no healing gift to give,
Warm
from his breast, and holy from his wings,
Or if at least Love’s
shadow in passing by
Touch not and heal her, surely she must die.
He spake not truth, however wise, who said
That happy, and that
hapless men in sleep
Have equal fortune, fallen from care as deep
As
countless, careless, races of the dead.
Not so, for alien paths
of dreams we tread,
And one beholds the faces that he sighs
In
vain to bring before his daylit eyes,
And waking, he remembers
on his bed;
And one with fainting heart and feeble hand
Fights a dim battle
in a doubtful land,
Where strength and courage were of no avail;
And
one is borne on fairy breezes far
To the bright harbours of a golden
star
Down fragrant fleeting waters rosy pale.
In light of sunrise and sunsetting,
The long days lingered,
in forgetting
That ever passion, keen to hold
What may not
tarry, was of old,
In lands beyond the weary wold;
Beyond
the bitter stream whose flood
Runs red waist-high with slain men’s
blood.
Was beauty once a thing that died?
Was pleasure never
satisfied?
Was rest still broken by the vain
Desire of action,
bringing pain,
To die in languid rest again?
All this was
quite forgotten there,
Where never winter chilled the year,
Nor
spring brought promise unfulfilled,
Nor, with the eager summer
killed,
The languid days drooped autumnwards.
So magical a
season guards
The constant prime of a cool June;
So slumbrous
is the river’s tune,
That knows no thunder of heavy rains,
Nor
ever in the summer wanes,
Like waters of the summer time
In
lands far from the Fairy clime.
Yea, there the Fairy maids are kind,
With nothing of the changeful
mind
Of maidens in the days that were;
And if no laughter
fills the air
With sound of silver murmurings,
And if no prayer
of passion brings
A love nigh dead to life again,
Yet sighs
more subtly sweet remain,
And smiles that never satiate,
And
loves that fear scarce any fate.
Alas, no words can bring the bloom
Of
Fairy Land; the faint perfume,
The sweet low light, the magic air,
To
eyes of who has not been there:
Alas, no words, nor any spell
Can
lull the eyes that know too well,
The lost fair world of Fairy
Land.
Ah, would that I had never been
The lover of the Fairy Queen!
Or
would that through the sleepy town,
The grey old place of Ercildoune,
And
all along the little street,
The soft fall of the white deer’s
feet
Came, with the mystical command
That I must back to Fairy
Land!
[‘Les Sirènes estoient tant intimes amies et fidelles compagnes de Proserpine, qu’elles estoient toujours ensemble. Esmues du juste deuil de la perte de leur chère compagne, et enuyées jusques au desespoir, elles s’arrestèrent à la mer Sicilienne, où par leurs chants elles attiroient les navigans, mais l’unique fin de la volupé de leur musique est la Mort.’ - PONTUS DE TYARD. 1570.]
I.
The Sirens once were maidens innocent
That through the water-meads
with Proserpine
Plucked no fire-hearted flowers, but were content
Cool
fritillaries and flag-flowers to twine,
With lilies woven and with
wet woodbine;
Till once they sought the bright AEtnaean flowers,
And
their bright mistress fled from summer hours
With Hades, down the
irremeable decline.
And they have sought her all the wide world
through
Till many years, and wisdom, and much wrong
Have filled
and changed their song, and o’er the blue
Rings deadly sweet
the magic of the song,
And whoso hears must listen till he die
Far
on the flowery shores of Sicily.
II.
So is it with this singing art of ours,
That once with maids
went maidenlike, and played
With woven dances in the poplar-shade,
And
all her song was but of lady’s bowers
And the returning swallows,
and spring-flowers,
Till forth to seek a shadow-queen she strayed,
A
shadowy land; and now hath overweighed
Her singing chaplet with
the snow and showers.
Yea, fair well-water for the bitter brine
She
left, and by the margin of life’s sea
Sings, and her song
is full of the sea’s moan,
And wild with dread, and love
of Proserpine;
And whoso once has listened to her, he
His
whole life long is slave to her alone.
More closely than the clinging vine
About the wedded tree,
Clasp
thou thine arms, ah, mistress mine!
About the heart of me.
Or
seem to sleep, and stoop your face
Soft on my sleeping eyes,
Breathe
in your life, your heart, your grace,
Through me, in kissing wise.
Bow
down, bow down your face, I pray,
To me, that swoon to death,
Breathe
back the life you kissed away,
Breathe back your kissing breath.
So
by your eyes I swear and say,
My mighty oath and sure,
From
your kind arms no maiden may
My loving heart allure.
I’ll
bear your yoke, that’s light enough,
And to the Elysian plain,
When
we are dead of love, my love,
One boat shall bear us twain.
They’ll
flock around you, fleet and fair,
All true loves that have been,
And
you of all the shadows there,
Shall be the shadow queen.
Ah
shadow-loves, and shadow-lips!
Ah, while ’tis called
to-day,
Love me, my love, for summer slips,
And
August ebbs away.
[IN MEMORY OF GÉRARD DE NERVAL.]
Two loves there were, and one was born
Between the sunset and
the rain;
Her singing voice went through the corn,
Her dance
was woven ‘neath the thorn,
On grass the fallen blossoms
stain;
And suns may set, and moons may wane,
But this love
comes no more again.
There were two loves and one made white
Thy singing lips, and
golden hair;
Born of the city’s mire and light,
The
shame and splendour of the night,
She trapped and fled thee unaware;
Not
through the lamplight and the rain
Shalt thou behold this love
again.
Go forth and seek, by wood and hill,
Thine ancient love of dawn
and dew;
There comes no voice from mere or rill,
Her dance
is over, fallen still
The ballad burdens that she knew;
And
thou must wait for her in vain,
Till years bring back thy youth
again.
That other love, afield, afar
Fled the light love, with lighter
feet.
Nay, though thou seek where gravesteads are,
And flit
in dreams from star to star,
That dead love shalt thou never meet,
Till
through bleak dawn and blowing rain
Thy fled soul find her soul
again.
[Plotinus, the Greek philosopher, had a certain proper mode of ecstasy, whereby, as Porphyry saith, his soul, becoming free from his deathly flesh, was made one with the Spirit that is in the World.]
Alas, the path is lost, we cannot leave
Our bright, our clouded
life, and pass away
As through strewn clouds, that stain the quiet
eve,
To heights remoter of the purer day.
The soul may not,
returning whence she came,
Bathe herself deep in Being, and forget
The
joys that fever, and the cares that fret,
Made once more one with
the eternal flame
That breathes in all things ever more the same.
She
would be young again, thus drinking deep
Of her old life; and this
has been, men say,
But this we know not, who have only sleep
To
soothe us, sleep more terrible than day,
Where dead delights, and
fair lost faces stray,
To make us weary at our wakening;
And
of that long-lost path to the Divine
We dream, as some Greek shepherd
erst might sing,
Half credulous, of easy Proserpine
And of
the lands that lie ‘beneath the day’s decline.’
[Some say that Helen went never to Troy, but abode in Egypt; for the Gods, having made in her semblance a woman out of clouds and shadows, sent the same to be wife to Paris. For this shadow then the Greeks and Trojans slew each other.]
Why from the quiet hollows of the hills,
And extreme meeting
place of light and shade,
Wherein soft rains fell slowly, and became
Clouds
among sister clouds, where fair spent beams
And dying glories of
the sun would dwell,
Why have they whom I know not, nor may know,
Strange
hands, unseen and ruthless, fashioned me,
And borne me from the
silent shadowy hills,
Hither, to noise and glow of alien life,
To
harsh and clamorous swords, and sound of war?
One speaks unto me words that would be sweet,
Made harsh, made
keen with love that knows me not,
And some strange force, within
me or around,
Makes answer, kiss for kiss, and sigh for sigh,
And
somewhere there is fever in the halls,
That troubles me, for no
such trouble came
To vex the cool far hollows of the hills.
The foolish folk crowd round me, and they cry,
That house, and
wife, and lands, and all Troy town,
Are little to lose, if they
may keep me here,
And see me flit, a pale and silent shade,
Among
the streets bereft, and helpless shrines.
At other hours another life seems mine,
Where one great river
runs unswollen of rain,
By pyramids of unremembered kings,
And
homes of men obedient to the Dead.
There dark and quiet faces come
and go
Around me, then again the shriek of arms,
And all the
turmoil of the Ilian men.
What are they? Even shadows such
as I.
What make they? Even this - the sport of Gods -
The
sport of Gods, however free they seem.
Ah would the game were ended,
and the light,
The blinding light, and all too mighty suns,
Withdrawn,
and I once more with sister shades,
Unloved, forgotten, mingled
with the mist,
Dwelt in the hollows of the shadowy hills.
Ah,
would ‘t were the cloud’s playtime, when the sun
Clothes
us in raiment of a rosy flame,
And through the sky we flit, and
gather grey,
Like men that leave their golden youth behind,
And
through their wind-driven ways they gather grey,
And we like them
grow wan, and the chill East
Receives us, as the Earth accepts
all men, -
But we await the dawn of a new day.
Ah thou! that, undeceived and unregretting,
Saw’st Death
so near thee on the flowery way,
And with no sigh that life was
near the setting,
Took’st the delight and dalliance of the
day,
Happy thou wert, to live and pass away
Ere life or love
had done thee any wrong;
Ere thy wreath faded, or thy locks grew
grey,
Or summer came to lull thine April song,
Sweet as all
shapes of sweet things unfulfilled,
Buds bloomless, and the broken
violet,
The first spring days, the sounds and scents thereof;
So
clear thy fire of song, so early chilled,
So brief, so bright thy
life that gaily met
Death, for thy Death came hand in hand with
Love.
List, all that love light mirth, light tears, and all
That know
the heart of shameful loves, or pure;
That know delights depart,
desires endure,
A fevered tribe of ghosts funereal,
Widowed
of dead delights gone out of call;
List, all that deem the glory
of the rose
Is brief as last year’s suns, or last year’s
snows
The new suns melt from off the sundial.
All this your master Villon knew and sung;
Despised delights,
and faint foredone desire;
And shame, a deathless worm, a quenchless
fire;
And laughter from the heart’s last sorrow wrung,
When
half-repentance but makes evil whole,
And prayer that cannot help
wears out the soul.
Master, I see thee with the locks of grey,
Crowned by the Muses
with the laurel-wreath;
I see the roses hiding underneath,
Cassandra’s
gift; she was less dear than they.
Thou, Master, first hast roused
the lyric lay,
The sleeping song that the dead years bequeath,
Hast
sung sweet answer to the songs that breathe
Through ages, and through
ages far away.
Yea, and in thee the pulse of ancient passion
Leaped, and the
nymphs amid the spring-water
Made bare their lovely limbs in the
old fashion,
And birds’ song in the branches was astir.
Ah,
but thy songs are sad, thy roses wan,
Thy bees have fed on yews
Sardinian.
Of all that were thy prisons - ah, untamed,
Ah, light and sacred
soul! - none holds thee now;
No wall, no bar, no body of flesh,
but thou
Art free and happy in the lands unnamed,
About whose
gates, with weary wings and maimed,
Thou most wert wont to linger,
entering there
A moment, and returning rapt, with fair
Tidings
that men or heeded not or blamed;
And they would smile and wonder,
seeing where
Thou stood’st, to watch light leaves, or clouds,
or wind,
Dreamily murmuring a ballad air,
Caught from the
Valois peasants; dost thou find
Old prophecies fulfilled now, old
tales true
In the new world, where all things are made new?
[‘The Queen of Heaven appeared, comforting him and promising that he should not utterly die.’ - THOMAS MORE, Life of Piens, Earl of Mirandola.]
Strange lilies came with autumn; new and old
Were mingling,
and the old world passed away,
And the night gathered, and the
shadows grey
Dimmed the kind eyes and dimmed the locks of gold,
And
face beloved of Mirandola.
The Virgin then, to comfort him and
stay,
Kissed the thin cheek, and kissed the lips acold,
The
lips unkissed of women many a day.
Nor she alone, for queens of
the old creed,
Like rival queens that tended Arthur, there
Were
gathered, Venus in her mourning weed,
Pallas and Dian; wise, and
pure, and fair
Was he they mourned, who living did not wrong
One
altar of its dues of wine and song.
Footnotes:
{1} Aphrodite - Avril.
{2} From the Romaic.
End of the Project Gutenberg eBook Ballads and Lyrics of Old France: with Other Poems
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