The Project Gutenberg eBook of Anthony Wayne, 1745-1796, by Randolph C. Downes
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at
www.gutenberg.org. If you
are not located in the United States, you will have to check the laws of the
country where you are located before using this eBook.
Title: Anthony Wayne, 1745-1796
Author: Randolph C. Downes
Release Date: May 21, 2021 [eBook #65397]
Language: English
Character set encoding: UTF-8
Produced by: Stephen Hutcheson and the Online Distributed Proofreading Team at https://www.pgdp.net
*** START OF THE PROJECT GUTENBERG EBOOK ANTHONY WAYNE, 1745-1796 ***
Anthony Wayne
ANTHONY WAYNE
1745-1796
Prepared by the Staff of the
Public Library of Fort Wayne and Allen County
1954
i
One of a historical series, this pamphlet is published
under the direction of the governing Boards of the Public
Library of Fort Wayne and Allen County.
BOARD OF TRUSTEES OF THE SCHOOL CITY OF FORT WAYNE
- Mrs. Sadie Fulk Roehrs
- B.F. Geyer, President
- Joseph E. Kramer, Secretary
- W. Page Yarnelle, Treasurer
- Willard Shambaugh
PUBLIC LIBRARY BOARD FOR ALLEN COUNTY
The members of this Board include the members of the Board of Trustees of the
School City of Fort Wayne (with the same officers) together with the following
citizens chosen from Allen County outside the corporate City of Fort Wayne:
- James E. Graham
- Arthur Niemeier
- Mrs. Glenn Henderson
- Mrs. Charles Reynolds
ii
FOREWORD
After Harmar and St. Clair had been disastrously defeated
by the Indians in the Old Northwest Territory, President
Washington appointed General Anthony Wayne to reorganize
the American forces, to subdue the savages, and
to protect the scattered white settlements along the frontier.
Wayne’s campaign culminated in his decisive victory at the
Battle of Fallen Timbers on August 20, 1794. General
Wayne then marched his men westward to the headwaters
of the Maumee at the junction of the St. Mary’s and St. Joseph
rivers. Here, on ground commanding the adjacent
area, a fort was constructed and named Fort Wayne in his
honor. If Wayne’s campaign had failed, settlement in this
section might have been indefinitely delayed, and our city
might be known by another name.
The following biographical sketch of Anthony Wayne
was written by Randolph C. Downes. It was published in
1936 by Charles Scribner’s Sons in the DICTIONARY OF
AMERICAN BIOGRAPHY, volume nineteen. Both the American
Council of Learned Societies, the copyright holder, and
the publisher have graciously accorded permission to reproduce
the article in its entirety. The portraiture, the
best brief biography of Wayne, has been reprinted verbatim;
citations and bibliography have been omitted.
The Boards and the Staff of the Public Library of Fort
Wayne and Allen County present this publication in the hope
that the life of the founder of Fort Wayne will prove entertaining
and informative to library patrons.
1
Anthony Wayne (Jan. 1, 1745-Dec. 15, 1796), soldier,
was born at Waynesboro, Pa., the only son of Isaac and
Elizabeth (Iddings) Wayne. Isaac Wayne with his father
Anthony Wayne, of English ancestry, emigrated from Ireland
and about 1724 settled in Chester County, Pa., where
he acquired some 500 acres of land and a thriving tannery.
At the age of sixteen the boy attended a private academy
kept by his uncle, Gilbert Wayne, in Philadelphia, where
he is said to have been more proficient in feats of mock
warfare, suggested no doubt by the Indian wars in progress,
than in his classroom subjects. He learned enough mathematics
to qualify as a surveyor, with some further application
after he left school two years later. In 1765 he was
sent by a Philadelphia land company to supervise the surveying
and settlement of 100,000 acres of land in Nova Scotia.
On Mar. 25, 1766, after the venture had failed, he returned
to Pennsylvania and married Mary Penrose, the daughter
of Bartholomew Penrose, a Philadelphia merchant. They
had two children. He went to live on his father’s estate and
took charge of the tannery. In 1774 his father died, and
Anthony succeeded to the ownership of a profitable establishment
that provided him a very comfortable competence.
He was of medium height, had a handsome, well-proportioned
face with a slightly aquiline nose and high forehead.
His hair was dark, his eyes dark brown and penetrating,
giving to his face a very animated appearance.
During the early Revolutionary movement he was
chairman of the committee appointed in the county on July
13, 1774, to frame the resolutions of protest against the
coercive acts of the British government. He was later made
chairman of the county committee appointed to supervise
the carrying out of the association drawn up by the first
Continental Congress. He represented his county in the
provincial assembly that met during 1775. On Jan. 3, 1776,
he was appointed by Congress to be colonel of a Chester
County regiment engaged in continental service, and as a
soldier he served through the war. His youth and lack of
formal training in the arts of war prevented him from being
on friendly terms with many of his colleagues, and he had
2
personal difficulties with St. Clair, Charles Lee, and James
Wilkinson. Contemporaries agreed that he was impetuous,
yet Alexander Graydon, who called his manner “fervid,”
admitted that he could “fight as well as brag.” Washington
admitted his bravery and his self-possession in battle but
feared his impetuousness, when, seventeen years later, he
chose him to lead the army against the northwestern Indians.
In the spring of 1776 he was sent with the Pennsylvania brigade
commanded by Gen. William Thompson to reinforce
the faltering Canadian expedition. When the Pennsylvanians
met the retreating remnants of Montgomery’s army at the
mouth of the Sorel River, they were sent down the St. Lawrence
to attack what was thought to be the advance guard of
the British army at Three Rivers. It turned out to be the
main army numbering 3,000, and Wayne, whose regiment
was in the front of the attack, found himself sustaining a hot
exchange with the enemy in order to cover the retreat of
his outnumbered countrymen to Fort Ticonderoga. He was
placed in command of the garrison of over two thousand men
there and had his first taste of wretched provisioning, of
sickness, starvation, and mutiny.
On Feb. 21, 1777, he was appointed to the rank of
brigadier-general and was called, on Apr. 12, to join Washington
at Morristown, N. J., and to take command of the
Pennsylvania line. After a season of training and drill his
division took an active part in resisting the British in their
campaign against Philadelphia. In the battle of Brandywine
on Sept. 11, 1777, he occupied the center of the defense opposing
the British at their main point of crossing. He was
obliged to retreat when the American right was flanked by
Cornwallis, who crossed the creek higher up. When Washington
then withdrew to the north of the Schuylkill, he sent
Wayne to circle around the rear of the British and to surprise
and destroy their baggage train. Wayne, however,
was himself surprised and, in the battle of Paoli, Sept. 20,
received a drubbing. Being accused of negligence in this
action, he demanded a court martial and was acquitted. Rejoining
Washington, he played a conspicuous part in the battle
of Germantown, on Oct. 4, leading a spirited and almost
victorious attack, but was forced back, when difficulties in
the rear turned the victory into confusion and defeat. He
wintered with Washington at Valley Forge and led the advance
attack against the British at the battle of Monmouth
on June 28, 1788.
3
leading an attack in the battle of Germantown
4
In a reorganization of the army late in 1778, he was
transferred to the command of a separate corps of Continental
light infantry. This corps, under his leadership, on
July 16, 1779, captured by surprise the garrison at Stony
Point, the northernmost British post on the Hudson. Over
five hundred prisoners, fifteen cannon, and some valuable
stores were taken. For his conduct in this affair Congress
ordered a medal to be struck and presented to him. Early
in 1780 he led some desultory movements against the British
on the lower Hudson, aimed to embarrass their collecting
of supplies and cattle and to alleviate the attacks being
made on Connecticut. When Arnold attempted to deliver
West Point to the British on Sept. 25, 1780, Wayne’s prompt
movement to that post prevented a British occupation. After
the Pennsylvania line mutinied in December 1780, Wayne
was instrumental in presenting the soldiers’ demands for
pay and release to Congress and in getting Congress to redress
their grievances. In the Yorktown campaign he was
ordered south to serve under Lafayette, who was opposing
Cornwallis on the lower James River. When Cornwallis
withdrew from Williamsburg, Wayne was ordered to attack
part of the British army that was mistakenly supposed to be
separated from the rest. With some 800 men he attacked
the British army of perhaps 5,000 at Green Spring, Va.,
on July 6, 1781, and, upon discovering the mistake, he led
a charge into the British lines that deceived Cornwallis long
enough to permit Wayne to extricate himself with only minor
losses.
After the British surrender at Yorktown, Wayne, serving
under Gen. Nathanael Greene, was sent to oppose the
British, Loyalist, and Indian hostiles in Georgia. He had
the tact to divide the Indian opposition by spreading news of
the American victory so that, when the Creek irreconcilables
attacked his small force in May 1782, he was able to rout
them. He negotiated treaties of submission with the Creek
and Cherokee in the winter of 1782 and 1783. In 1783 he retired
from active service as brevet major-general.
5
Wayne’s horse was shot by Indians in Georgia....
6
From 1783 to 1792 he was engaged in civil pursuits
in which he was less fortunate than in military affairs. The
state of Georgia conferred upon him an eight-hundred-acre
rice plantation, and he borrowed the necessary capital to
work it from Dutch creditors, who subsequently foreclosed
on the lands. In politics he was a conservative; he had a
militarist’s contempt for the radicals who took advantage
of the revolt against Great Britain to fashion liberal constitutions
like that of Pennsylvania, which he considered
“not worth Defending.” During the war military affairs
were his major consideration; but he said, “let us once be
in a Condition to Vanquish these British Rebels and I answer
for it that then your present Rulers will give way for better
men which will produce better Measures.” Accordingly, as
a member of the Pennsylvania council of censors in 1783,
he favored the calling of a new constitutional convention.
He was a representative of Chester County to the Pennsylvania
General Assembly in 1784 and 1785. In 1787 he supported
the new federal Constitution in the Pennsylvania ratifying
convention. He was elected to Congress as a representative
from Georgia and served from Mar. 4, 1791, to
Mar. 21, 1792, when his seat was declared vacant because
of irregularities in the election and in his residence qualification.
7
Battle of Fallen Timbers
FROM THE ORIGINAL PAINTING BY CHAPPEL.
8
After the failure of Harmar and St. Clair to subdue
the Indian tribes of the Wabash and Maumee rivers in 1791,
Wayne was named by Washington as major-general in command
of the rehabilitated American army. He was strongly
opposed to the peace maneuvers of 1792 and 1793 but improved
his time constructing a reliable military organization
at his training camp at Legionville, Pa., and, later,
near Fort Washington and Fort Jefferson in the Northwest
Territory. On Aug. 20, 1794, he defeated the Indians at
Fallen Timbers on the Maumee River near what is now Toledo,
Ohio. This victory was the result of several factors.
Wayne had far more resources at his command than had
Harmar or St. Clair. He did not hazard an autumn campaign
after he received news of the final failure of peace negotiations
in August 1793. He was fortunate in that the Indians
threw away their opportunity to isolate him, when they made
a futile attack on Fort Recovery on June 29 and lost many
discouraged tribesmen, who went home. He made every
effort to avoid offending the British, thus robbing the Indians
of the aid they fully expected in the moment of conflict. Finally,
when the Indians had assembled at Fallen Timbers to
fight, he delayed battle for three days. Therefore, when
he attacked, a large part of the Indians were at a distance
breaking their three-day fast, and the rest were in a half-starved
condition. The complete submission and surrender
at Greenville in August 1795 was made possible by Jay’s
treaty, the British desertion of the Indians, and Wayne’s
skill in convincing the tribesmen of the hopelessness of their
cause without British support. He died at Presque Isle, now
Erie, Pa., on his return from the occupation of the post of
Detroit.
Transcriber’s Notes
- Silently corrected a few typos.
- Retained publication information from the printed edition: this eBook is public-domain in the country of publication.
- In the text versions only, text in italics is delimited by _underscores_.
*** END OF THE PROJECT GUTENBERG EBOOK ANTHONY WAYNE, 1745-1796 ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away--you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at
www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg™ trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit
www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility:
www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.