
The Project Gutenberg EBook of The Works Of Edward Bulwer-Lytton, by
Edward Bulwer-Lytton

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Works Of Edward Bulwer-Lytton
       A Linked Index to the Project Gutenberg Editions

Author: Edward Bulwer-Lytton

Editor: David Widger

Release Date: May 21, 2009 [EBook #28905]
Last Updated: November 10, 2012

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK THE WORKS OF EDWARD BULWER-LYTTON ***




Produced by David Widger

THE WORKS OF

EDWARD BULWER-LYTTON

AN ON-LINE INDEX

Edited by David Widger

Project Gutenberg Editions

Edward Bulwer-Lytton (1803-1873)

DOWNLOAD

DOWNLOAD INSTRUCTIONS:
Click on the DOWNLOAD button above if you would like to download this Index, and save it and all the volumes in the entire set to your hard disk. Following the download instructions below will allow the index file to link to all the volumes and chapters when you are off-line.

Click on the ## before each title to go directly to a
linked index of the detailed chapters and illustrations

## Athens: Its Rise and Fall

## The Caxtons

## Zicci

## Eugene Aram

## Pelham

## Devereux

## Disowned

## Ernest Maltrevers

## Kenelm Chillingly

## What Will He Do With It

## Harold

## Lucretia

## A Strange Story

## The Last Days of Pompeii

## The Coming Race

## My Novel

## The Last Of The Barons

## Paul Clifford

## Tomlinsoniana

## The Parisians

## Godolphin

## Falkland

## Pilgrims Of The Rhine

## Night and Morning

## Leila

## Calderon

## Alice

## Rienzi

## Zanoni

## The Lady of Lyons

VOLUMES, CHAPTERS AND STORIES

Athens: Its Rise and Fall

The Caxtons

PREFACE.

THE CAXTONS.

Zicci

Eugene Aram

Pelham

Devereux

ADVERTISEMENT TO THE PRESENT EDITION.

THE AUTOBIOGRAPHER'S INTRODUCTION.

NOTE TO THE PRESENT EDITION (1852).

Disowned

Ernest Maltrevers

PREFACE TO THE EDITION OF 1840.

A WORD TO THE READER PREFIXED TO THE FIRST EDITION OF 1837.

ERNEST MALTRAVERS.

Kenelm Chillingly

What Will He Do With It

CHAPTER XII. AND LAST.

Harold

DEDICATORY EPISTLE

PREFACE TO THE THIRD EDITION.

BOOKS

BOOK FIRST
The Norman Visitor, the Saxon King, and the Danish Prophetess

BOOK SECOND
Lanfranc the Scholar

BOOK THIRD
The House of Godwin

BOOK FOURTH
The Heathen Altar and the Saxon Church

BOOK FIFTH
Death and Love

BOOK SIXTH
Ambition

BOOK SEVENTH
The Welch King

BOOK EIGHTH
Fate

BOOK NINTH
The Bones of the Dead

BOOK TENTH
The Sacrifice on the Altar

BOOK ELEVENTH
The Norman Schemer, and the Norwegian Sea-king

BOOK TWELFTH
The Battle of Hastings

NOTES

FOOTNOTES

Lucretia

PREFACE TO THE EDITION OF 1853.
PART THE FIRST.
PROLOGUE TO PART THE FIRST.
CHAPTER I.	A FAMILY GROUP.
CHAPTER II.	LUCRETIA.
CHAPTER III.	CONFERENCES.
CHAPTER IV.	GUY'S OAK.
CHAPTER V.	HOUSEHOLD TREASON.
CHAPTER VI.	THE WILL
CHAPTER VII.	THE ENGAGEMENT.
CHAPTER VIII.	THE DISCOVERY.
CHAPTER IX.	A SOUL WITHOUT HOPE.
CHAPTER X.	THE RECONCILIATION BETWEEN FATHER AND SON.
EPILOGUE TO PART THE FIRST.
PART THE SECOND.
PROLOGUE TO PART THE SECOND.
CHAPTER I.	THE CORONATION.
CHAPTER II.	LOVE AT FIRST SIGHT.
CHAPTER III.	EARLY TRAINING FOR AN UPRIGHT GENTLEMAN.
CHAPTER IV.	JOHN ARDWORTH.
CHAPTER V.	THE WEAVERS AND THE WOOF.
CHAPTER VI.	THE LAWYER AND THE BODY-SNATCHER.
CHAPTER VII.	THE RAPE OF THE MATTRESS.
CHAPTER VIII.	PERCIVAL VISITS LUCRETIA.
CHAPTER IX.	THE ROSE BENEATH THE UPAS.
CHAPTER X.	THE RATTLE OF THE SNAKE.
CHAPTER XI.	LOVE AND INNOCENCE.
CHAPTER XII.	SUDDEN CELEBRITY AND PATIENT HOPE.
CHAPTER XIII.	THE LOSS OF THE CROSSING.
CHAPTER XIV.	NEWS FROM GRABMAN.
CHAPTER XV.	VARIETIES.
CHAPTER XVI.	THE INVITATION TO LAUGHTON.
CHAPTER XVII.	THE WAKING OF THE SERPENT.
CHAPTER XVIII.	RETROSPECT.
CHAPTER XIX.	MR. GRABMAN'S ADVENTURES.
CHAPTER XX.	MORE OF MRS. JOPLIN.
CHAPTER XXI.	BECK'S DISCOVERY.
CHAPTER XXII.	THE TAPESTRY CHAMBER.
CHAPTER XXIII.	THE SHADES ON THE DIAL
CHAPTER XXIV.	MURDER, TOWARDS HIS DESIGN, MOVES LIKE A GHOST.
CHAPTER XXV.	THE MESSENGER SPEEDS.
CHAPTER XXVI.	THE SPY FLIES.
CHAPTER XXVII.	LUCRETIA REGAINS HER SON.
CHAPTER XXVIII.	THE LOTS VANISH WITHIN THE URN.
EPILOGUE TO PART THE SECOND.

A Strange Story

The Last Days of Pompeii

The Coming Race

My Novel

The Last Of The Barons

DEDICATORY EPISTLE.

PREFACE TO THE LAST OF THE BARONS

BOOK I.	THE ADVENTURES OF MASTER MARMADUKE NEVILE
CHAPTER I.	THE PASTIME-GROUND OF OLD COCKAIGNE
CHAPTER II.	THE BROKEN GITTERN
CHAPTER III.	THE TRADER AND THE GENTLE; OR, THE CHANGING GENERATION
CHAPTER IV.	ILL FARES THE COUNTRY MOUSE IN THE TRAPS OF TOWN
CHAPTER V.	WEAL TO THE IDLER, WOE TO THE WORKMAN
CHAPTER VI.	MASTER MARMADUKE NEVILE FEARS FOR THE SPIRITUAL WEAL OF HIS HOST AND HOSTESS
CHAPTER VII.	THERE IS A ROD FOR THE BACK OF EVERY FOOL WHO WOULD BE WISER THAN HIS GENERATION
CHAPTER VIII.	MASTER MARMADUKE NEVILE MAKES LOVE, AND IS FRIGHTENED
CHAPTER IX.	MASTER MARMADUKE NEVILE LEAVES THE WIZARD'S HOUSE FOR THE GREAT WORLD
BOOK II.	THE KING'S COURT
CHAPTER I.	EARL WARWICK THE KING-MAKER
CHAPTER II.	KING EDWARD THE FOURTH
CHAPTER III.	THE ANTECHAMBER
BOOK III.	IN WHICH THE HISTORY PASSES FROM THE KING'S COURT TO THE STUDENT'S CELL, AND RELATES THE PERILS THAT BEFELL A PHILOSOPHER FOR MEDDLING WITH THE AFFAIRS OF THE WORLD
CHAPTER I.	THE SOLITARY SAGE AND THE SOLITARY MAID
CHAPTER II.	MASTER ADAM WARNER GROWS A MISER, AND BEHAVES SHAMEFULLY
CHAPTER III.	A STRANGE VISITOR.—ALL AGES OF THE WORLD BREED WORLD-BETTERS
CHAPTER IV.	LORD HASTINGS
CHAPTER V.	MASTER ADAM WARNER AND KING HENRY THE SIXTH
CHAPTER VI.	HOW, ON LEAVING KING LOG, FOOLISH WISDOM RUNS A-MUCK ON KING STORK
CHAPTER VII.	MY LADY DUCHESS'S OPINION OF THE UTILITY OF MASTER WARNER'S INVENTION, AND HER ESTEEM FOR ITS—EXPLOSION
CHAPTER VIII.	THE OLD WOMAN TALKS OF SORROWS, THE YOUNG WOMAN DREAMS OF LOVE; THE COURTIER FLIES FROM PRESENT POWER TO REMEMBRANCES OF PAST HOPES, AND THE WORLD-BETTERED OPENS UTOPIA, WITH A VIEW OF
CHAPTER IX.	HOW THE DESTRUCTIVE ORGAN OF PRINCE RICHARD PROMISES GOODLY DEVELOPMENT
BOOK IV.	INTRIGUES OF THE COURT OF EDWARD IV
CHAPTER I.	MARGARET OF ANJOU
CHAPTER II.	IN WHICH ARE LAID OPEN TO THE READER THE CHARACTER OF EDWARD THE FOURTH AND THAT OF HIS COURT, WITH THE MACHINATIONS OF THE WOODVILLES AGAINST THE EARL OF WARWICK
CHAPTER III.	WHEREIN MASTER NICHOLAS ALWYN VISITS THE COURT, AND THERE LEARNS MATTER OF WHICH THE ACUTE READER WILL JUDGE FOR HIMSELF
CHAPTER IV.	EXHIBITING THE BENEFITS WHICH ROYAL PATRONAGE CONFERS ON GENIUS,—ALSO THE EARLY LOVES OF THE LORD HASTINGS; WITH OTHER MATTERS EDIFYING AND DELECTABLE
CHAPTER V.	THE WOODVILLE INTRIGUE PROSPERS.—MONTAGU CONFERS WITH HASTINGS, VISITS THE ARCHBISHOP OF YORK, AND IS MET ON THE ROAD BY A STRANGE PERSONAGE
CHAPTER VI.	THE ARRIVAL OF THE COUNT DE LA ROCHE, AND THE VARIOUS EXCITEMENT PRODUCED ON MANY PERSONAGES BY THAT EVENT
CHAPTER VII.	THE RENOWNED COMBAT BETWEEN SIR ANTHONY WOODVILLE AND THE BASTARD OF BURGUNDY
CHAPTER VIII.	HOW THE BASTARD OF BURGUNDY PROSPERED MORE IN HIS POLICY THAN WITH THE POLE-AXE.-AND HOW KING EDWARD HOLDS HIS SUMMER CHASE IN THE FAIR GROVES OF SHENE
CHAPTER IX.	THE GREAT ACTOR RETURNS TO FILL THE STAGE
CHAPTER X.	HOW THE GREAT LORDS COME TO THE KING-MAKER, AND WITH WHAT PROFFERS
BOOK V.
CHAPTER I.	RURAL ENGLAND IN THE MIDDLE AGES—NOBLE VISITORS SEEK THE CASTLE OF MIDDLEHAM
CHAPTER II.	COUNCILS AND MUSINGS
CHAPTER III.	THE SISTERS
CHAPTER IV.	THE DESTRIER
BOOK VI.
CHAPTER I.	NEW DISSENSIONS
CHAPTER II.	THE WOULD-BE IMPROVERS OF JOVE'S FOOTBALL, EARTH.—THE SAD FATHER AND THE SAD CHILD.—THE FAIR RIVALS
CHAPTER III.	WHEREIN THE DEMAGOGUE SEEKS THE COURTIER
CHAPTER IV.	SIBYLL
CHAPTER V.	KATHERINE
CHAPTER VI.	JOY FOR ADAM, AND HOPE FOR SIBYLL—AND POPULAR FRIAR BUNGEY!
CHAPTER VII.	A LOVE SCENE
BOOK VII.	THE POPULAR REBELLION
CHAPTER I.	THE WHITE LION OF MARCH SHAKES HIS MANE
CHAPTER II.	THE CAMP AT OLNEY
CHAPTER III.	THE CAMP OF THE REBELS
CHAPTER IV.	THE NORMAN EARL AND THE SAXON DEMAGOGUE CONFER
CHAPTER V.	WHAT FAITH EDWARD IV. PURPOSETH TO KEEP WITH EARL AND PEOPLE
CHAPTER VI.	WHAT BEFALLS KING EDWARD ON HIS ESCAPE FROM OLNEY
CHAPTER VII.	HOW KING EDWARD ARRIVES AT THE CASTLE OF MIDDLEHAM
CHAPTER VIII.	THE ANCIENTS RIGHTLY GAVE TO THE GODDESS OF ELOQUENCE A CROWN
CHAPTER IX.	WEDDED CONFIDENCE AND LOVE—THE EARL AND THE PRELATE—THE PRELATE AND THE KING—SCHEMES—WILES—AND THE BIRTH OF A DARK THOUGHT DESTINED TO ECLIPSE A SUN
BOOK VIII.	IN WHICH THE LAST LINK BETWEEN KING-MAKER AND KING SNAPS ASUNDER
CHAPTER I.	THE LADY ANNE VISITS THE COURT
CHAPTER II.	THE SLEEPING INNOCENCE—THE WAKEFUL CRIME
CHAPTER III.	NEW DANGERS TO THE HOUSE OF YORK—AND THE KING'S HEART ALLIES ITSELF WITH REBELLION AGAINST THE KING'S THRONE
CHAPTER IV.	THE FOSTER-BROTHERS
CHAPTER V.	THE LOVER AND THE GALLANT—WOMAN'S CHOICE
CHAPTER VI.	WARWICK RETURNS—APPEASES A DISCONTENTED PRINCE—AND CONFERS WITH A REVENGEFUL CONSPIRATOR
CHAPTER VII.	THE FEAR AND THE FLIGHT
CHAPTER VIII.	THE GROUP ROUND THE DEATH-BED OF THE LANCASTRIAN WIDOW
BOOK IX.	THE WANDERERS AND THE EXILES
CHAPTER I.	HOW THE GREAT BARON BECOMES AS GREAT A REBEL
CHAPTER II.	MANY THINGS BRIEFLY TOLD
CHAPTER III.	THE PLOT OF THE HOSTELRY—THE MAID AND THE SCHOLAR IN THEIR HOME
CHAPTER IV.	THE WORLD'S JUSTICE, AND THE WISDOM OF OUR ANCESTORS
CHAPTER V.	THE FUGITIVES ARE CAPTURED—THE TYMBESTERES REAPPEAR—MOONLIGHT ON THE REVEL OF THE LIVING—MOONLIGHT ON THE SLUMBER OF THE DEAD
CHAPTER VI.	THE SUBTLE CRAFT OF RICHARD OF GLOUCESTER
CHAPTER VII.	WARWICK AND HIS FAMILY IN EXILE
CHAPTER VIII.	HOW THE HEIR OF LANCASTER MEETS THE KING-MAKER
CHAPTER IX.	THE INTERVIEW OF EARL WARWICK AND QUEEN MARGARET
CHAPTER X.	LOVE AND MARRIAGE—DOUBTS OF CONSCIENCE—DOMESTIC JEALOUSY—AND HOUSEHOLD TREASON
BOOK X.	THE RETURN OF THE KING-MAKER
CHAPTER I.	THE MAID'S HOPE, THE COURTIER'S LOVE, AND THE SAGE'S COMFORT
CHAPTER II.	THE MAN AWAKES IN THE SAGE, AND THE SHE-WOLF AGAIN HATH TRACKED THE LAMB
CHAPTER III.	VIRTUOUS RESOLVES SUBMITTED TO THE TEST OF VANITY AND THE WORLD
CHAPTER IV.	THE STRIFE WHICH SIBYLL HAD COURTED, BETWEEN KATHERINE AND HERSELF, COMMENCES IN SERIOUS EARNEST
CHAPTER V.	THE MEETING OF HASTINGS AND KATHERINE
CHAPTER VI.	HASTINGS LEARNS WHAT HAS BEFALLEN SIBYLL, REPAIRS TO THE KING, AND ENCOUNTERS AN OLD RIVAL
CHAPTER VII.	THE LANDING OF LORD WARWICK, AND THE EVENTS THAT ENSUE THEREON
CHAPTER VIII.	WHAT BEFELL ADAM WARNER AND SIBYLL WHEN MADE SUBJECT TO THE GREAT FRIAR BUNGEY
CHAPTER IX.	THE DELIBERATIONS OF MAYOR AND COUNCIL, WHILE LORD WARWICK MARCHES UPON LONDON
CHAPTER X.	THE TRIUMPHAL ENTRY OF THE EARL—THE ROYAL CAPTIVE IN THE TOWER—THE MEETING BETWEEN KING-MAKER AND KING
CHAPTER XI.	THE TOWER IN COMMOTION
BOOK XI.	THE NEW POSITION OF THE KING-MAKER
CHAPTER I.	WHEREIN MASTER ADAM WARNER IS NOTABLY COMMENDED AND ADVANCED—AND GREATNESS SAYS TO WISDOM, "THY DESTINY BE MINE, AMEN."
CHAPTER II.	THE PROSPERITY OF THE OUTER SHOW—THE CARES OF THE INNER MAN
CHAPTER III.	FURTHER VIEWS INTO THE HEART OF MAN, AND THE CONDITIONS OF POWER
CHAPTER IV.	THE RETURN OF EDWARD OF YORK
CHAPTER V.	THE PROGRESS OF THE PLANTAGENET
CHAPTER VI.	LORD WARWICK, WITH THE FOE IN THE FIELD AND THE TRAITOR AT THE HEARTH
BOOK XII.	THE BATTLE OF BARNET
CHAPTER I.	A KING IN HIS CITY HOPES TO RECOVER HIS REALM—A WOMAN IN HER CHAMBER FEARS TO FORFEIT HER OWN
CHAPTER II.	SHARP IS THE KISS OF THE FALCON'S BEAR
CHAPTER III.	A PAUSE
CHAPTER IV.	THE BATTLE
CHAPTER V.	THE BATTLE
CHAPTER VI.	THE BATTLE
CHAPTER VII.	THE LAST PILGRIMS IN THE LONG PROCESSION TO THE COMMON BOURNE
NOTES.

Paul Clifford

TOMLINSONIANA

Tomlinsoniana

The Parisians

PREFATORY NOTE. (BY THE AUTHOR'S SON.)

INTRODUCTORY CHAPTER.

THE PARISIANS.

Godolphin

PREFACE TO GODOLPHIN.

Falkland

Pilgrims Of The Rhine

ADVERTISEMENT TO THE FIRST EDITION.

PREFACE.

THE IDEAL WORLD

THE PILGRIMS OF THE RHINE

CHAPTER I.	IN WHICH THE READER IS INTRODUCED TO QUEEN NYMPHALIN
CHAPTER II.	THE LOVERS
CHAPTER III.	FEELINGS
CHAPTER IV.	THE MAID OF MALINES
CHAPTER V.	ROTTERDAM.—THE CHARACTER OF THE DUTCH
CHAPTER VI.	GORCUM.—THE TOUR OF THE VIRTUES: A PHILOSOPHER'S TALE
CHAPTER VII.	COLOGNE.—THE TRACES OF THE ROMAN YOKE
CHAPTER VIII.	THE SOUL IN PURGATORY; OR LOVE STRONGER THAN DEATH
CHAPTER IX.	THE SCENERY OF THE RHINE ANALOGOUS TO THE GERMAN LITERARY
CHAPTER X.	THE LEGEND OF ROLAND.—THE ADVENTURES OF NYMPHALIN
CHAPTER XI.	WHEREIN THE READER IS MADE SPECTATOR WITH THE ENGLISH
CHAPTER XII.	THE WOOING OF MASTER FOX
CHAPTER XIII.	THE TOMB OF A FATHER OF MANY CHILDREN
CHAPTER XIV.	THE FAIRY'S CAVE, AND THE FAIRY'S WISH
CHAPTER XV.	THE BANKS OF THE RHINE.—FROM THE DRACHENFELS TO BROHL
CHAPTER XVI.	GERTRUDE.—THE EXCURSION TO HAMMERSTEIN
CHAPTER XVII.	LETTER FROM TREVYLYAN
CHAPTER XVIII.	COBLENTZ.—EXCURSION TO THE MOUNTAINS OF TAUNUS
CHAPTER XIX.	THE FALLEN STAR; OR THE HISTORY OF A FALSE RELIGION
CHAPTER XX.	GLENHAUSEN.—THE POWER OF LOVE IN SANCTIFIED PLACES
CHAPTER XXI.	VIEW OF EHRENBREITSTEIN.—A NEW ALARM
CHAPTER XXII.	THE DOUBLE LIFE.—TREVYLYAN'S FATE
CHAPTER XXIII.	THE LIFE OF DREAMS
CHAPTER XXIV.	THE BROTHERS
CHAPTER XXV.	THE IMMORTALITY OF THE SOUL.—A COMMON INCIDENT
CHAPTER XXVI.	IN WHICH THE READER WILL LEARN HOW THE FAIRIES
CHAPTER XXVII.	THURMBERG.—A STORM UPON THE RHINE
CHAPTER XXVIII.	THE VOYAGE TO BINGEN.—THE SIMPLE INCIDENTS
CHAPTER XXIX.	ELLFELD.—MAYENCE.—HEIDELBERG.—A CONVERSATION BETWEEN
CHAPTER XXX.	NO PART OF THE EARTH REALLY SOLITARY.—THE SONG
CHAPTER XXXI.	GERTRUDE AND TREVYLYAN, WHEN THE FORMER IS AWAKENED
CHAPTER XXXII.	A SPOT TO BE BURIED IN
CHAPTER THE LAST.	THE CONCLUSION OF THIS TALE

Night and Morning

PREFACE TO THE EDITION OF 1845.

NIGHT AND MORNING.

BOOK I.

INTRODUCTORY CHAPTER.

Leila

BOOK I.

CHAPTER I. THE ENCHANTER AND THE WARRIOR.

CHAPTER II. THE KING WITHIN HIS PALACE.

CHAPTER III. THE LOVERS.

CHAPTER IV. THE FATHER AND DAUGHTER.

CHAPTER V. AMBITION DISTORTED INTO VICE BY LAW.

CHAPTER VI. THE LION IN THE NET

BOOK. II.

CHAPTER I. THE ROYAL TENT OF SPAIN.—THE KING AND THE DOMINICAN

CHAPTER II. THE AMBUSH, THE STRIFE, AND THE CAPTURE.

CHAPTER III. THE HERO IN THE POWER OF THE DREAMER.

CHAPTER IV. A FULLER VIEW OF THE CHARACTER OF BOABDIL.—MUZA IN THE GARDENS

CHAPTER V. BOABDIL'S RECONCILIATION WITH HIS PEOPLE.

CHAPTER V. LEILA.—HER NEW LOVER.—PORTRAIT OF THE FIRST INQUISITOR OF SPAIN

CHAPTER VII. THE TRIBUNAL AND THE MIRACLE

BOOK III.

CHAPTER I. ISABEL AND THE JEWISH MAIDEN.

CHAPTER II. THE TEMPTATION OF THE JEWESS

CHAPTER III. THE HOUR AND THE MAN

BOOK IV.

CHAPTER. I. LEILA IN THE CASTLE—THE SIEGE.

CHAPTER II. ALMAMEN'S PROPOSED ENTERPRISE.—THE THREE ISRAELITES

CHAPTER III. THE FUGITIVE AND THE MEETING

CHAPTER IV. ALMAMEN HEARS AND SEES, BUT REFUSES TO BELIEVE

CHAPTER V. IN THE FERMENT OF GREAT EVENTS THE DREGS RISE.

CHAPTER VI. BOADBIL'S RETURN.—THE REAPPEARANCE OF GRANADA.

CHAPTER VII. THE CONFLAGRATION.—THE MAJESTY OF AN INDIVIDUAL PASSION

BOOK V.

CHAPTER I. THE GREAT BATTLE.

CHAPTER II. THE NOVICE.

CHAPTER III. THE PAUSE BETWEEN DEFEAT AND SURRENDER.

CHAPTER IV. THE ADVENTURE OF THE SOLITARY HORSEMAN.

CHAPTER V. THE SACRIFICE.

CHAPTER VI. THE RETURN—THE RIOT—THE TREACHERY—AND THE DEATH.

CHAPTER VII. THE END.

Calderon

CALDERON, THE COURTIER

CHAPTER I.	THE ANTE-CHAMBER
CHAPTER II.	THE LOVER AND THE CONFIDANT
CHAPTER III.	A RIVAL
CHAPTER IV.	CIVIL AMBITION, AND ECCLESIASTICAL
CHAPTER V.	THE TRUE FATA MORGANA
CHAPTER VI.	WEB UPON WEB
CHAPTER VII.	THE OPEN COUNTENANCE, THE CONCEALED THOUGHTS
CHAPTER VIII.	THE ESCAPE
CHAPTER IX.	THE COUNTERPLOT
CHAPTER X.	WE REAP WHAT WE SOW
CHAPTER XI.	HOWSOEVER THE RIVERS WIND, THE OCEAN RECEIVES THEM ALL

Alice

Rienzi

Preface

RIENZI, The Last of the Tribunes.

BOOK I.	THE TIME, THE PLACE, AND THE MEN.
Chapter 1.I	The Brothers.
Chapter 1.II	An Historical Survey—not to Be Passed Over, Except by
Chapter 1.III	The Brawl.
Chapter 1.IV	An Adventure.
Chapter 1.V	The Description of a Conspirator, and the Dawn of the
Chapter 1.VI	Irene in the Palace of Adrian di Castello.
Chapter 1.VII	Upon Love and Lovers.
Chapter 1.VIII	The Enthusiastic Man Judged by the Discreet Man.
Chapter 1.IX	"When the People Saw this Picture, Every One Marvelled."
Chapter 1.X	A Rough Spirit Raised, Which May Hereafter Rend the Wizard.
Chapter 1.XI	Nina di Raselli.
Chapter 1.XII	The Strange Adventures that Befel Walter de Montreal.
BOOK II	THE REVOLUTION
Chapter 2.I	The Knight of Provence, and his Proposal.
Chapter 2.II	The Interview, and the Doubt.
Chapter 2.III	The Situation of a Popular Patrician in Times of Popular
Chapter 2.IV	The Ambitious Citizen, and the Ambitious Soldier.
Chapter 2.V	The Procession of the Barons.—The Beginning of the End.
Chapter 2.VI	The Conspirator Becomes the Magistrate.
Chapter 2.VII	Looking after the Halter when the Mare is Stolen.
Chapter 2.VIII	The Attack—the Retreat—the Election—and the Adhesion.
BOOK III	THE FREEDOM WITHOUT LAW.
Chapter 3.I	The Return of Walter de Montreal to his Fortress.
Chapter 3.II	The Life of Love and War—the Messenger of Peace—the
Chapter 3.III	The Conversation between the Roman and the
BOOK IV	THE TRIUMPH AND THE POMP.
Chapter 4.I	The Boy Angelo—the Dream of Nina Fulfilled.
Chapter 4.II	The Blessing of A Councillor Whose Interests and Heart Are
Chapter 4.III	The Actor Unmasked.
Chapter 4.IV	The Enemy's Camp.
Chapter 4.V	The Night and its Incidents.
Chapter 4.VI	The Celebrated Citation.
Chapter 4.VII	The Festival.
BOOK V	THE CRISIS.
Chapter 5.I	The Judgment of the Tribune.
Chapter 5.II	The Flight.
Chapter 5.III	The Battle.
Chapter 5.IV	The Hollowness of the Base.
Chapter 5.V	The Rottenness of the Edifice.
Chapter 5.VI	The Fall of the Temple.
Chapter 5.VII	The Successors of an Unsuccessful Revolution—Who is to
BOOK VI	THE PLAGUE.
Chapter 6.1	The Retreat of the Lover.
Chapter 6.II	The Seeker.
Chapter 6.III	The Flowers Amidst the Tombs.
Chapter 6.IV	We Obtain What We Seek, and Know it Not.
Chapter 6.V	The Error.
BOOK VII	THE PRISON.
Chapter 7.I	Avignon.—The Two Pages.—The Stranger Beauty.
Chapter 7.II	The Character of a Warrior Priest—an Interview—the
Chapter 7.III	Holy Men.—Sagacious Deliberations.—Just Resolves.—And
Chapter 7.IV	The Lady and the Page.
Chapter 7.V	The Inmate of the Tower.
Chapter 7.VI	The Scent Does Not Lie.—The Priest and the Soldier.
Chapter 7.VII	Vaucluse and its Genius Loci.—Old Acquaintance Renewed.
Chapter 7.VIII	The Crowd.—The Trial.—The Verdict.—The Soldier and
Chapter 7.IX	Albornoz and Nina.
BOOK VIII	THE GRAND COMPANY.
Chapter 8.I	The Encampment.
Chapter 8.II	Adrian Once More the Guest of Montreal.
Chapter 8.III	Faithful and Ill-fated Love.—The Aspirations Survive the
BOOK IX	THE RETURN.
Chapter 9.I	The Triumphal Entrance.
Chapter 9.II	The Masquerade.
Chapter 9.III	Adrian's Adventures at Palestrina.
Chapter 9.IV	The Position of the Senator.—The Work of Years.—The
Chapter 9.V	The Biter Bit.
Chapter 9.VI	The Events Gather to the End.
BOOK X	THE LION Of BASALT.
Chapter 10.I	The Conjunction of Hostile Planets in the House of Death.
Chapter 10.II	Montreal at Rome.—His Reception of Angelo Villani.
Chapter 10.III	Montreal's Banquet.
Chapter 10.IV	The Sentence of Walter de Montreal.
Chapter 10.V	The Discovery.
Chapter 10.VI	The Suspense.
Chapter 10.VII	The Tax.
Chapter 10.VIII	The Threshold of the Event.
Chapter The Last	The Close of the Chase.
Appendix I	Some Remarks on the Life and Character of Rienzi.
Appendix II	A Word Upon the Work by Pere du Cerceau and Pere Brumoy,

Zanoni

INTRODUCTION I.

PREFACE TO THE EDITION OF 1853.

INTRODUCTION II.

ZANONI.

BOOK I. — THE MUSICIAN.

BOOK II. — ART, LOVE, AND WONDER.

BOOK III. — THEURGIA.

BOOK IV. — THE DWELLER OF THE THRESHOLD.

BOOK V. — THE EFFECTS OF THE ELIXIR.

BOOK VI. — SUPERSTITION DESERTING FAITH.

BOOK VII. — THE REIGN OF TERROR.

The Lady of Lyons

PREFACE.

DRAMATIS PERSONAE.

THE LADY OF LYONS






End of the Project Gutenberg EBook of The Works Of Edward Bulwer-Lytton, by
Edward Bulwer-Lytton

*** END OF THIS PROJECT GUTENBERG EBOOK THE WORKS OF EDWARD BULWER-LYTTON ***

***** This file should be named 28905-h.htm or 28905-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/8/9/0/28905/

Produced by David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

THE WORKS OF EDWARD BULWER-LYTTON

AN ON-LINE INDEX

Edited by David Widger

Project Gutenberg Editions

Edward Bulwer-Lytton (1803-1873)

CONTENTS

Click on the ## before each title to go directly to a linked index of the detailed chapters and illustrations

VOLUMES, CHAPTERS AND STORIES

BOOKS

THE WORKS OF

EDWARD BULWER-LYTTON

Click on the ## before each title to go directly to a
linked index of the detailed chapters and illustrations